Alicia Bay Laurel 2013 Japan Concert Tour

This tour celebrates the release of two new CDs!
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Songs from Being of the Sun is available here.


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Living Through Young Eyes is available here

Here are the bookings and posters as of 06/29/2013.  Please check back for any changes!

06/06 Live with RabiRabi at OPPA-LA at Enoshima, open at 19:00

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06/07 Live at Hapon in Shinjuku, start at 19:00

06/08 Live with Little Eagle at Café Slow in Kokubunji, start at 19:00 and

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06/09 Live with Little Eagle at Beach Muffin in Zushi, start at 17:00

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06/15 Live with Little Eagle at Jisoan in Sue, Gifu, start at 14:00

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06/16 Live with Little Eagle at Café Ocean in Nishio (near Nagoya), start at 17:30

06/21 Live with Little Eagle at Art Café Nafsha on Awaji Island, start at 19:30 (Summer Solstice!)

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06/22 Live with Little Eagle at MiCaLi in Mino, Osaka, start at 18:30

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06/23 Live with Little Eagle at Bagus in Wakayama, open at 15:00

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06/29 Live with Little Eagle at Cacao Magic in Kyoto, start at 18:00

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07/02 Live at Gallery Speak For in Daikanyama, Tokyo, start at 18:00. Reception event for show of original 1970 drawings from Living on the Earth, many with new Alicia Bay Laurel drawings on the mat boards, and framed in driftwood by master craftsman Yuji Kamioka.  Show runs 06/21 ~ 07/03
. Alicia’s live music at 18:30 on 07/02.  Address information:

Here is a video of the installed show.  The music is “Everything is Flowing” from the CD Songs from Being of the Sun.

07/05 Live at Asaba Art Square, a magical art center in Kanazawa, private event for Earth Keepers, start at 18:00

07/06 Live with Little Eagle at Oromina in Yokohama, start at 15:00

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07/07 Live with Little Eagle at Alishan Organic Center in Saitama, start at 16:00

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07/12 Live with Little Eagle at Cafe Unizon in Ginowan, Okinawa, start at 20:00

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07/13 to 07/15 Okinawa Sacred Sites Tour and Shrine Art Workshop at beautiful Donto-in, Tamagusuku, with Alicia Bay Laurel and Sachiho Saraswatie Kojima.  Photo of Sachiho enjoying the cold water of a sacred spring, straight from the dragon’s mouth.

07/18 Live in Ueda at Café PANI

07/20 Live with Little Eagle at Lumiere du Lazuli in Matsumoto, start at 15:00.  Tickets 2000 yen in advance or 3000 yen on the day of the event.

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07/25 Live with Inoue Ohana at Thumbs Up in Yokohama, start at 19:30 Facebook event page at:

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07/26 Live with Inoue Ohana at Chikyu-ya in Kunitachi

07/27 Live at YAMADA PARADISE FARM, presented by Green People
Open 16:30
Kathie and Keni Inoue (Inoue Ohana Band) with hula by Miho Ogura 17:30
Alicia Bay Laurel 18:30

608 Nakasakuma, Kyonan-machi, Awagun, CHIBA
ticket 1300(advance) 1500 (door) 500 (middle & high-school students)
more info by phone : 080-1282-6586 (Ohyama)

Facebook Event Page:

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07/28 Live with Inoue Ohana at Studio M in Koganei starting at 16:00

Send us email for reservation to More information on our web page

07/30 to 07/31 SARO resort Nii-jima Island – Overnight massage, nature, music and art retreat with Alicia Bay Laurel and Rie Kuwahara of Rie-treats for Under the Light Yoga.

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07/30 Live at SARO resort on Nii-jima Island (open to public), starting at 19:00. Address: Cafe and accomodation SARO, 3-3-4 Honson Niijima-mura Tokyo.

08/02 Live with Little Eagle at Shonan Club in Kamakura, start at 17:30
Event Fliers for 2013 Japan tour

08/03 Live event:

Vibration 1 from Agriculture & Music
August 3rd, 2013, open 15:00
talk session about agriculture 16:00 by Alicia Bay Laurel, Kaoru Sugita & Kaoru Kawai
music session 17:00 by Alicia Bay Laurel, monk beat, DJ TATSUTA
close 19:00
Ticket 2000 yen advance 2500 yen at door

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08/04 Live with Inoue Ohana at Art Station POKARA in Nasu
Open at 14:30, start at 15:00
2500 yen for Live Event
1000 yen for Vegetarian Dinner after
Hula show included! 

253 Yumoto, Nasu-machi, Tochigi prefecture.
Tel 0287-76-4119
For more information, please call Kat-chan at 


Alicia Bay Laurel Patchwork on Display in San Francisco

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The autobiographical patchwork crazy quilt that I made between 1967 and 1974 was on display in the lobby of the historic Mills Building in downtown San Francisco from October 18, 2010 to January 15, 2011 as part of a show called “Still Crazy,” which included Victorian and 20th century crazy quilts, loaned by the San Jose Museum of Quilts and Textiles. Deborah Corsini, curator at SJMQT, created the show.

The piece is 8 feet high and 5 feet wide, and contains “guest embroideries” by my dear friends, author Ray Mungo and composer/author Ramón Sender Barayón, as well as a small piece by quilter Charlotte Lyons, who befriended me at Wheeler Ranch commune while I was writing and illustrating Living on the Earth.

Curator Deborah Corsini wrote:

“Alicia Bay Laurel’s crazy quilt is an excellent example of a 20th century crazy quilt from the decades of the 1960s – 1970s.  It is composed of a multitude of irregularly shaped fabrics, many typical of the time period.  There are large scale printed florals and smaller ditsy prints as well as embroidered and woven lace.  Many of the blocks contain unique and personal appliqued and embroidered scenes.  Some examples that clearly reflect on the universal (and astrological) themes that were of interest at the time are a God’s eye and embroidered solar system, a bull (her sun sign), and a flying lion (for Leo rising in her natal chart.)  Other blocks charmingly depict the Sausalito houseboat where she lived in 1967 and her guitar with “real” strings.  Like the crazy quilts of the 19th century, the one is filled with symbolic and personal references, and clearly references the cultural influences that were surrounding her.  Most importantly, this quilt has an embroidered date, 1967 – 1974, and an embroidered signature, Alicia bay laurel, which gives it true authenticity.

“…it is especially compelling because it is the authentic handiwork of a well-known woman, artist, author and creative spirit from that extraordinary ‘hippie’ time.  Alicia Bay Laurel’s crazy quilt is an excellent example of the continuum of the crazy quilt’s evolution and is a singular artifact by a multi-talented artist as a part of her early creative output and rich legacy.”

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Here I am on the last day of the show, January 14, 2011 with my quilt.  You might notice a few minor differences between this one and the one at the photo at the top, which was taken in 2002.  That’s because the quilt suffered some damage in 2008 and was expertly restored by Karen Stern at her quilt and textile restoration studio in Berkeley.

Signature on lower right hand corner: “1967 – 1974 Alicia bay laurel”

2010 Japan Tour Schedule

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What an amazing 11 weeks that was!  I am resting up and contemplating the joy and wonder of it all.

September 28  8:30 AM Teach art workshop for Fujino Steiner (Waldorf) High School.  (Alas, this workshop was cancelled due to flash flood warnings closing the school system for the day.)

October 3 – 4 PM Concert at Studio M
5-5-14 Maehara-cho,
Koganei, Tokyo 184-0013

The closest train station is Musashi Koganei on the Chuo line.

The house concert was a great success – standing room only!  77 happy attendees.  Here’s how it looked:

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October 15 Concert at Nanso Bunka Hall in Tateyama
With tribal stomp and trance band RabiRabi x Piko, and local percussion band Awa Lion.

It was a fabulous and eclectic offering.  At one point there was a taiko drum troupe, a belly dancer and an African dancer all performing together.  Here’s the finale piece in RabiRabi x Piko’s set, with the belly dancer and the African dancer on stage with them:

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October 22 and 23 Concerts at Yukotopia Deadheadsland
Yukotopia is a block from the Umejima train station, which you can reach via the Hibiya line from central Tokyo.  Turn right when you exit the station. It’s right across the street from the Star King Pachinko. The address is:

3-2-18 Umejima
Adachi-ku, Tokyo 120-0816
Tel. 033-886-2996

There will be 4 other acts on before me (I go on last). Yukotopia is a cosy room with lots of psychedelic ambiance and welcoming friendliness.  It has a full bar and offers some inexpensive entrees and snacks. People bring their kids sometimes.  It hosts poetry readings on Saturday afternoons.

Here’s the schedule for Friday, October 22 (5 solo artists):

19:00~19:40 Hiroshi Sawada(Pop music)
19:40~20:20 So Terui (Acoustic)
20:20~20:50 Huga Matsuyama(Acoustic)
20:50~21:30 Roku
21:30~22:30(or longer) Alicia Bay Laurel

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Here I am on October 22, 2010, singing Floozy Tune at Yukotopia.

Here’s the schedule for Saturday, October 23:

19:00~19:50 Tsumugine(Improvisational vocal performance)
19:50~20:50 Shinokuni(Pop music)
20:50~21:50 Howdy Moonshine (former members of Electric Building band)
21:50~22:50 (or longer) Alicia Bay Laurel

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Roku, the manager of Yukotopia, and I play “Ripple in Still Water” by the Grateful Dead to close my set.

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October 29-31 “Happy Flower Seed Party” (spiritual retreat) at Donto-in, Tamagusuku, Okinawa hosted and lead by Sachiho Kojima. Unplugged Concert with RabiRabi x Piko, Lakita Kudomi, Sachiho Kojima and me on 10/29. I teach an art workshop on 10/31.  Please contact me if you’d like to join us!

A typhoon postponed the outdoor concert at Hamabe No Chaya from 10/29 to 10/31, so we had an unplugged indoor candle light concert at Donto-in on the 29th in addition to the outdoor show on the 31st.  Hamabe No Chaya is a tea house with windows looking out over a calm bay enclosed by a coral reef.  The stage was actually erected on the sand below the high water line, at low tide.  The first act was a wonderful Okinawan traditional singer, next Sachiho played her lyre and sang spiritual songs, then I played guitar and sang original songs, and last RabiRabi played and everyone else danced.

The workshop included Sachiho’s sacred sites of Tamagusuku tour, this time augmented by the presence of Professor Hiroshi Nago, who has researched and written extensively about the Tamagusuku castle ruins, which appears to have been a temple rather than a castle.  He brought a slice of a rare seashell that is found on the outside of the coral reefs in Okinawa, and showed us that the entire structure of the castle is based on the structure of this shell. This shell became a icon for a philosophy of peaceful relations, and bracelets made from it have been found in the tombs of emperors.

I lead the workshop participants in making visualization altars from found objects, including shells we picked at the beach.  I was astonished, when each person shared after building his or her altar, how deeply we were all thinking and feeling after visiting the sacred sites of Tamagusuku.

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November 3 Concert at Cafe Unizon in Ginowan, Okinawa, on the closing date of a one-month art show of original drawings from Living on the Earth. Alicia Bay Laurel plus all-woman trance band Amana.

Cafe Unizon’s sophisticated and comfortable room has a big view of Ginowan city, with the ocean in the distance.  They always have an art show installed, lots of great books for sale and excellent food.  Sachiho (on electric bass), Yoko Nema (on harmonium) and I had a great time playing original songs together.  Mingo Kazumi did an improvisational modern dance to my autobiographical song 1966.  Yoko lead a yoga breathing session between the session in which I talked about my art and the session inwhich she and I and Sachiho performed. Mieda-san, the owner, invited me back for next year!

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November 28 3 PM Concert at Alishan Organic Center

Komahongo 185-2 , Hidaka-shi,
Saitama-ken, Japan 350-1251
office phone +81-(0)429-82-4811

Alishan Organic Center is a beautiful building overlooking a river.  It houses an organic food wholesale and retail company owned by Jack Bayles and his wife, Fay, and a cafe and event space, where art classes, healing classes, and other community events are held.  If you shop for organic foods anywhere in Japan, you are likely to find their products.  Alishan is named after a mountainous area in Taiwan, the birthplace of Jack’s wife.

At 11 AM, Liane Wakabayashi will present her fascinating Genesis art workshop at Alishan, and at 3 PM I’ll sing my songs about the natural, organic life that Alishan Organic Center is all about.  For my concert, admission is 1500 yen, and includes a beverage.  Liane’s workshop also has an admission fee of 1500 yen and includes tea service.

Liane and I had a wonderful day together riding to remote Hidaka village on the train and doing our respective events.  I had a standing room only audience, and Mingo Kazumi came all the way from Tokyo to dance for me on the song 1966 again. Jack invited me to come back and perform next year!

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December 1 Opening at Gallery Le Deco, in Shibuya, Tokyo, of a new fashion line by Kaorico Ago owner/designer of Little Eagle and Lotus Heart fashion labels, some printed with drawings from Living on the Earth by Alicia Bay Laurel. The garments are manufactured from organically grown cotton and linen and hand sewn in a fair trade factory in India. The show will also feature framed original drawings from Living on the Earth.  There will be no music on December 1, but the next three nights there will be plenty!

Gallery Le Deco is on Meijidori, about one minute walk from the new south entrance to the JR Shibuya Station, or a five minute walk from the east entrance.  Phone 03 5485 5188.

December 2 show begins at 6:30 PM (18:30) with a hula kahiko halau (group) in performance, followed by a musical performance by Peace-K and Han-chan, and after that, an hour of Hawaiian songs and slack key guitar by Alicia Bay Laurel. Admission is 1200 yen in advance or 1500 yen at the door.

December 3 show begins at 6:30 PM (18:30) with the band Monk Beat, then Peace-K and Han-chan, and then Yammie, the creator of the Yappooo television series for children, will show a video of her latest work.  At the end, an hour of songs about the natural organic life by Alicia Bay Laurel.  Admission is 1200 yen in advance and 1500 yen at the door.

December 4 show begins at 6:30 PM with a modern dance by Shizuno, a dancer based in New York and Hawaii. Next, the wonderful singer/songwriter Yoshie Ebihara will perform.  After Yoshie, Alicia will perform 45 minutes of original music, and finally, the great traditional Japanese vocalist Ikue Asazaki will thrill us with her songs.  Admission is 1500 yen in advance and 1800 yen at the door.

Advance tickets may be purchased at Le Deco Gallery.

This had to have been the most astonishing three days of my life.  Each night the place was packed, and on the last night there were lines in the street of people waiting to come in, including many of my dearest friends.  The staff had to take the potted plants out of the gallery to make room for everyone who wanted to stand.  I can’t take credit for this; the line-up on that night was stellar, and three very famous singers, Ua, Ikuko and Sandii Manumele came and performed in addition to those already on the schedule.

The reason so many great performers came to sing on behalf of Kaorico and her clothing is because Kaorico’s clothes are not just fashion.  They express a philosophy that reveres Native American spirituality, Hawaiian spirituality, the works of Mother Teresa and Gandhi, and my book, Living on the Earth.  All of these are about naturalness and simplicity, loving the earth as our common mother, and seeing all beings as family. Kaorico’s newest line of clothing is called “Loving and Sharing.”

My Japan 2009 Tour Schedule

September 20, Mori Cafe Festival in Hokuto City, Yamanashi Prefecture.

September 24, Teach class at Fujino Steiner School. Make art books with 12th grade English class. Private.

September 27, 4 PM Concert at Shu Cafe in Fujino.

September 29, Dual interview with novelist Banana Yoshimoto. It will appear in the November issue of Switch Magazine.

September 30, Art Show Opening Party and Concert at Roppongi Hills Club. 5000 JPY admission. For reservations, please contact Kurkku staff at 03-5414-6273

October 2, 6 to 8 PM Art Show Opening Party and Concert at Gallery Speak For in Daikanyama, Tokyo. Admission is free, but you need an invitation.  Please email me if you’d like to be on my guest list.

October 2 to 14, Art Show at Gallery Speak For. Framed original drawings from Living on the Earth, plus the artwork from the new CD Beyond Living.

October 6, Interview with Soto Koto Magazine at Under The Light Yoga Studio in Yoyogi, Tokyo

October 11, Concert at Teisha Garden in Komoro City, near Komoro Station, Nagano Prefecture.

October 12, Interview with Murmur Magazine in Haragyuku, Tokyo, including a fashion modeling session in Yoyogi Park.  Here is a group shot with all of the models and photographers near the lake.

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October 16, 6:30 to 9 PM, Concert and talk session with special guest, actress and environmental activist Ikue Masudo (aka Saya Takagi) at her restaurant and performance venue, FU-RYU, by the beach in Minami-Bousou City. 1800 yen (free for kids under 12).

October 18, Art class, making small books at Genesis Art Lounge in Okachimachi, Tokyo. CANCELLED

October 19, Concert at Naked Loft, at the Loft Project, Shinjuku.  7:30 to 8 PM, Bobin (Nepalese Reggae singer/guitarist).  8:10 PM to 9 PM, live talk show, with Bobin and Alicia, hosted by activist/organic farmer/journalist Yumi Kikuchi. 8:10 to 9 PM, Alicia plays.  Closest train station is Shin-Okubo.

October 23 or 24, Concert at Happy Flower Beach Party festival, Nago, Okinawa. Joe Dolce and Lin Van Hek from Australia will join me.

October 27, Concert at Café Unizon in Okinawa. Alicia Bay Laurel, Amana band, and Joe Dolce and Lin Van Hek from Australia.

October 30 Concert at Yukotopia live house in Umejima, Tokyo. Joe Dolce and Lin Van Hek will join me.

November 1 Concert at Yukotopia live house in Umejima, Tokyo

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I design a t-shirt and towel for the 2009 Artist Power Bank music festival in Japan – and have another art show

May 18, 2009

I’m having another art show in Japan of the original drawings for Living on the Earth, opening right now. It’s at the Birdo Flugas Gallery in Sendai. Here are some photos on Flickr of the framed drawings hanging in the gallery.

The show was set up by Keisuke Era of Artist Power Bank in Tokyo, an environmental activist arts organization. We’ve been collaborating on projects over the past few years. The latest is a couple of souvenir items for Artist Power Bank’s annual outdoor rock festival. Above is my drawing on their 2009 festival t-shirt.

I also adapted a drawing of a sea turtle I made for a yet unpublished book for their souvenir towel. Here are both sides of the towel.

This is from the festival web page that sells the towel.

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Here are two children at the festival wearing the towels as shawls!

One thing I encounter over and over in Japan is the request that I explain what I am attempting to communicate with my art, music and books. “What is your message?” After receiving the art, Keisuke sent me a questionaire on that very subject:

Hi Alicia-san, Would you give your messages to ap bank fes audience? It will be on web shopping site with your T-shirts and Towel graphics.

Question 1. Please tell us the concept of the design.

The swimming sea turtle shows that the ocean is healthy. Sea turtles die from drift nets and from choking on plastic bags (which look like food to them). We must stop polluting the ocean and using drift nets. In Native American and East Indian myths, the turtle is said to hold up the earth. The sea turtles slow circular movements make waves in the water, which I drew in the design.

The t-shirt design shows the divine energy all around us coming forth as life (the tree grows out of emptiness). The tree of life expresses its energy as love (leaves like hearts). The bird is the joy of making music. The rabbit is the sweetness of innocence and connection to the earth. The sun’s smiling face is the divine energy of compassion for all.

Question 2. What do you believe for making the environment better?

In our own daily lives, we need to do many small things that help. Take public transportation instead of drive a car when we can. Turn off lights we are not using. Insulate our buildings. Buy foods from farms near where we live. Try to use less packaging. Use recycling services.

In the bigger, political world, we need to elect leaders and vote for laws that stop industry from polluting and from killing wild animals, and from manufacturing things that pollute. This takes organizing. This is difficult, but it must be done in every country in the world.

Question 3. Message to ap bank audience please!!

Thank you for caring about the earth and for caring about each other. You are creating the future. Enjoy the music and the festival!

Floozy Places Again

Alicia Bay Laurel performs her prize-winning song, “Floozy Tune” at Yukotopia night club in Umejima, Tokyo, in 2010.

December 12, 2008

“Floozy Tune,” the opening cut of my blues/jazz CD, What Living’s All About, has garnered a runner-up position in yet a THIRD songwriting contest, this time as a Finalist in the 100% Music Songwriting Contest.

In summer 2008, “Floozy Tune” received Honorable Mention (7th place) in the World division (which includes jazz), in the Indie International Songwriting Contest

The first award for “Floozy Tune” was in the Top 20 Finalists in the Jazz Division of the Unisong International Songwriting Contest, in 2007.

On TV in Japan!

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In this photo, I am performing a story and music show at the Natural High Festival at Doshi, two hours into the mountains from Tokyo, on May 20, 2007, while being filmed for a show on Asahi Broadcasting Station. I am wearing Aya Noguchi’s Living on the Earth printed dress and scarf, designed for her fashion company, Balcony and Bed.

A five-part show about me, my book, Living on the Earth, my music and storytelling performances and my future works will appear on the eco talk show, Midori no Kotonoha (Green Leaves).

The show is on from 8:54 to 9:00 pm on Monday through Friday (June 11-15, 2007) on Asahi Broadcasting Station.

The show was created by my friend Setsuko Miura, a producer specializing in environmental documentaries at TV Man Union in Tokyo, with direction by Sayaka Matsukawa and camera work by Jun Maruyama, during my two performances at the Natural High Festival at Doshi on May 20, and also at Setsuko’s beautiful home in the mountain town of Fujino, one hour away from Doshi by car, where I was a guest.

Below: Setsuko Miura flashes a peace sign at the Natural High Festival; Jun Maruyama and Sakaya Matsukawa prepare to film at Fujino. 

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The Original Art and Layout of Living on the Earth is for Sale!

Cover layout with bleed borders and the original drawings for Living on the Earth.

Wow, here they are, the original drawings from which all of the books, CDs, t-shirts, fabrics, magazine illustrations and other printed images from Living on the Earth were born. Partially lettered in Press Type, yellowed with age, and stained with rubber cement and correction fluid (ah, the tools of the graphic design trade back in the late ’60’s), they are wabi-sabi, shabby-chic, framable, and absolutely authentic.

I will be having a gallery show at which the entire layout will be auctioned during the months of May and June 2008 at the Kurkku Arts and Environmental Center in Shibuya, Tokyo, Japan. 

I created the drawings, lettering and layout for the first edition of Living on the Earth in 1969 and 1970, at the ages of 19, 20 and 21. The Bookworks, Bay Area distributor Book People’s publishing imprint, released it in September 1970 as their second title ever. They sold out the initial printing of 10,000 copies in two weeks. The Whole Earth Catalog’s review: “This could be the best book in this catalog. It is a book for people. If you are a person, it is for you.”

In April 1971, Vintage Books/Random House released the second edition, which became the first paperback ever on the New York Times Bestseller List. Publishers Weekly had never seen a book design like this one before, and published a handlettered review with illustrations from the book to note this. Dozens of books with derivative book designs, illustrations and themes appeared on the market within a year, and continue to appear to this day.

I am preparing to sell the original layout as an archival manuscript (I retain the copyright of the content), and thought you might like to see what the artwork looks like now, after 37 years in the same little blue suitcase inwhich I delivered it to The Bookworks in the spring of 1970. It’s moved to Hawaii from California with me twice.

The pages in the center of the book aren’t as yellowed as the cover and front pages, probably because they weren’t as subject to the acidity of the packaging in which they were stored. The rubber cement used in layout work in those pre-computer days left stains, as did the white correction fluid.

When I updated the information in Living on the Earth for the Villard/Random House third edition in 1999 (which, with minor changes, was also the 4th edition in 2003), I clearly could not re-use the original layout, so I took apart two pristine copies of the Vintage/Random House second edition and used the pages to lay out the revised edition, still using Rapidograph pen, scissors, rubber cement and correction fluid as I did in 1970.

One of the most noted updates in the revised edition was the layout on marijuana and hemp. I realized soon after moving to Maui in 1974 and inhaling the extra-strong product available there, that it made my nasal passages swell shut, obliging me to breathe through my mouth and wonder how long until this uncomfortable side effect would wear off. So I quit smoking pot. When I updated the text twenty-five years later, I had to find and interview someone who still grew it commercially to improve the instructions. I also learned the usefulness of hemp, even without the medicinal effects of tetrahydrocannabinol.  Hemp preceeded petroleum as the material of choice for manufacturing almost everything useful. Canvas, which propelled ships across the ocean, derives its name from cannibis. Some environmentalists think we’ll be back to using hemp on a large scale after Peak Oil.

Living on the Earth was initially shelved in the Library of Congress under Home Economics, Handicrafts and Outdoor Living, but the 2000 Random House edition was categorized under Spirituality and Healthy Living, and the 2003 Gibbs Smith edition as a Reference Book. All of the above, would be my guess. I didn’t create it for a publisher. I made it as a gift to my fellow communards at Wheeler Ranch. However, the Universe had other plans.

Update as of 2021:  Many of the original page layouts, framed in handmade driftwood frames created by master craftsman Yugi Kamioka, some with mat boards bearing my new additional illustrations, have been sold at a series of gallery shows in Japan.  The cover layout hangs in the tea ceremony house of rock producer Takeshi Kobayashi.   Fashion designers Kaoriko Ago Wada and Aya Noguchi, both of whom produced fashion lines printed with the pages of Living on the Earth, have framed pages hanging in their homes.  Novelist Yoshimoto Banana bought framed pages, too, remembering how much she enjoyed the book in her childhood. 

Here is a link to a video of an art exhibition of the framed page layouts at Gallery Speak For, in Daikanyama,
Shibuya, Tokyo.

The sound track is an improvised piece called “Everything is Flowing” from the album Songs from Being of the Sun, which Ramón Sender Barayón recorded in 1973, of himself on zither and me on guitar, and both of us singing.