Cranberry Relish a la Persephone

11-24-11-AZ-home-cranberry pomegranite relish

Thanksgiving recipe:
I invented a new twist on cranberry relish. I mix 8 ounces of thawed whole (organically grown) cranberries and all of the seeds of a fresh (organically grown) pomegranate in a bowl, and pour over them a steaming cup of unsweetened (organicallly grown) cranberry (or pomegranate) juice (sweetened with a couple dropper fulls of stevia glycerite) inwhich a heaping tablespoon of agar flakes have been dissolved (simmer 3 to 5 minutes over a medium flame). One hour in the fridge and it becomes cranberries and pomegranate in aspic.

What Did the Hippies Want?

ABL and Karin Lease in BOTS illustration

I wrote this essay at the request of curator Neil Kramer, with whom I co-founded the (now defunct) online Hippie Museum. I still find it posted on various sites around the Internet – evidently it struck a chord with other people who lived in those times.

What Did The Hippies Want?

by Alicia Bay Laurel
November 19, 2001

We wanted intimacy– not a neighborhood where you didn’t know anyone on the block, or you competed, kept up with the Joneses.

A hunter-gatherer or early agricultural community meant that people lived, worked and sought deeper contact with the holy spirit as a group, and they all knew one another, from cradle to grave.

I used to call my hippie friendships “a horizontal extended family,” as opposed to the ancient tribal extended family,
which was multi-generational, and therefore, vertical.

We wanted a culture which acknowledged the human body, not just for sex, but to hug each other, to be naked without shame, to revere the body with natural foods, beneficial exercise, herbs, baths, massage, deep understanding. This was not part of the culture from which we came. We wanted a culture that thrived on gift-giving. We hitchhiked, shared our food and drugs, gave away our possessions. People who could afford to buy land invited others who could not to live there.

We opened free stores, free clinics, free kitchens, not just in the Haight, but everywhere we went. We wanted be living proof that God(dess) was taking care of us and therefore there was no need to hoard.

We wanted to live without the constraints of time. We wanted to wake up each day and decide what would be the most fun to do that day –or just find out as it went along. We wanted to go with the flow, follow our bliss, be here now.
This was in complete opposition to the culture from which we came.

We wanted new ways to value one another, rather than by wealth, status, looks, achievements, machismo, as our culture of origin had taught us, and continues to teach us through the media. We wanted to value one another for being lovable and real.

We valued spiritual depth, which we referred to as “heavy.” We admired one another for being happy. We admired those who offered selfless service or peaceful resolution of conflict. We wanted a spirituality that actually caused you to grow as a person, not one in which people attended religious gatherings for social status. We wanted to be guided by our own Inner Spirits, rather than by priests.

We thirsted for the spiritual awareness and grace we experienced on psychedelics, without psychedelics, or in addition to them. Many hippies would spend their last cent on a weekend workshop that promised to “change your life forever.”
That was how so many gurus found followers in those days.

We wanted to live in harmony with the earth, the plants and animals, the indigenous peoples of the earth, with each other, with ourselves. We were the fuel behind the rapid expansion of the environmental movement. We experimented with living arrangements that we thought would harmonize with nature. We sought out indigenous tribal elders as our teachers.

We wanted to make the things we wore and used with our hands, grow our food and medicine, feel all kinds of weather–
all the experiences our modern urban lives had excluded in the name of convenience and comfort. We wanted to live on the road, have adventures, build things that hadnÂ’t been built before, and live in them.

We wanted to live our mythic selves, give ourselves names that resonated with our souls, dress in costumes that expressed our dreams, do daring deeds, dance as if no one was looking, decorate our homes with magical things,
listen to music that took us out of ordinary reality into altered states of awareness.

We wanted to see life without violence. We wanted media that contained truth. Some of us risked our lives to find out what the government was doing and let the underground press know. We wanted to talk about things in print that we were not allowed to discuss in our culture of origin.

We wanted to live without stupid, arbitrary rules, either for ourselves or for our children. Some of our children, as adults today, say they wish we had been more protective of them, or offered more structure. We only knew what we endured, being as culturally different from our culture of origin as Chinese are from Italians, and punished for it, and wished to spare our children these experiences. However, some portion of kids raised by hippie parents grew up to be hippies themselves. At that point, one can say, a new culture was born and continues.

Learn to Sing "Last Night I Had the Strangest Dream" in English and in Japanese

“Last Night I Had the Strangest Dream” is a great peace song written by the late folksinger and peace activist Ed McCurdy in response to the atomic bombing of Hiroshima and Nagasaki, and copyrighted in 1950. I first heard it as a child on Pacifica Radio, the peace radio network created by the US peace movement during WWII, and which is still broadcasting.

I am invited to sing it at Nagaregawa Church, at ground zero in Hiroshima, two days after the 70th memorial of the atomic bombing of Hiroshima, on August 8, 2015. I would like as many people as possible, all over the world to sing it, in many languages.  At Hiroshima I am singing it in English and Japanese, so I am offering the words here in both languages.

Here are the lyrics in English:

Last night I had the strangest dream
I never dreamed before
I dreamed the world had all agreed
To put an end to war.

I dreamed I saw a mighty room
The room was full of men
And the paper they were signing said
TheyÂ’d never fight again.

And when the paper all was signed
And a million copies made
They all joined hands and bowed their heads
And grateful prayers were prayed.

And the people in the streets below
Were dancing ‘round and ‘round
And swords and guns and uniforms
Were scattered on the ground.

Here is a translation of the lyrics into Japanese created by the wonderful singer/songwriter Maiko Kodama in 2013.

Last Night I had the Strangest Dream in Japanse

 

Here is a guitar chart in the key of G, the key in which I sing this song.

Last Night I Had the Strangest Dream-chart

If you are an English-speaking person, and want to learn Maiko’s Japanese lyrics phonetically, here is how they go:

Kee noh yoh roo kee myo oh nah

Last night I had the strangest dream

Yoo mei woo oh mee tah

I ev – er dreamed be fore

Sei kah ee gah seh nn soh oh

I dreamed the world had all agreed

Woh yah mei roo oo yoo mei

To put an end to war


Oh oh kee nah hei yah dei

I dreamed I saw a mighty room

Oo oh zei gah

The room was filled with men

Nee doh toh tah tah kah wah nai

And the paper they were signing said

Toh sah ee nee ee shee tah

TheyÂ’d never fight again


Nah n woh koo noh sah ee n

And when the papers all were signed

Gah koh pee ee ee sah rei

And a million copies made

Tei woh tzu nei gee ah tah mah woh sah gei

They all joined hands and bowed their heads

Ee noh ree sah sah gei tah

And grateful prayers were prayed


Too oh ree noh hee toh bee toh

And the people in the streets below

Wah oh doh ree dah shee

Were dancing round and round

Jyoo toh ken toh goon poo koo

And guns and swords and uniforms

Wah soo tei rah rei tah

Were scattered on the ground


Kee noh yoh roo kee myo oh nah

Last night I had the strangest dream

Yoo mei woo oh mee tah

I ev – er dreamed be fore

Sei kah ee gah seh nn soh oh

I dreamed the world had all agreed

Woh yah mei roo oo yoo mei

To put an end to war

2014 Japan Tour Schedule

ALAS, DUE TO AN INJURY BEFORE THE TOUR, I AM UNABLE TO TRAVEL AND PERFORM.  SO, I AM HOPING THAT, NEXT YEAR, I WILL BE ABLE TO COME AGAIN.

06/05 Concert at HAPON in Shinjuku, Tokyo, at 17:30
06-05 Hapon
http://hapon.asia/shinjuku/event/post2725/
http://www.glolea.com/event/alicia-bay-laurel-2014live.html

06/06 Concert and Talk with the staff and readers of Murmur Magazine at VACANT Art Space in Harajuku at 19:00. MurmurÂ’s editor, Hattori Millet-sanÂ’s band plays first! Then I play, then Millet-san and I talk. Tickets available at Murmur magazineÂ’s website.
3-20-13 Jingumae, Shibuya, Tokyo
Transport Harajuku station (JR Yamanote Line)
or Meiji-jingumae station (Tokyo Metro Chiyoda Line)
Telephone 03 6459 2962
URL www.n0idea.com/vacant/

vandana shiva dvd

06/08 Concert after the movie “Embracing the Seed of Life,” Keibo Shinichi Oiwa Tsuji’s interview with Vandana Shiva, and documentary of her work . Movie 15:00 to 16:00, Alicia Bay Laurel live concert and discussion from 16:00 to 17:00. At Cinema Amigo in Zushi, Kanagawa http://cinema-amigo.com/

06/14 Concert and Little Eagle Fashion Exhibition, starts at 14:00, at Cafe Jisoan, Sue, Gifu, 2000 yen.

06-14 Gifu

06/15 Concert and Little Eagle Fashion Exhibition, starts at 18:00, Mi.Ca.Li Gallery, Mino, Osaka, 2000 yen.

06-15 MiCaLi

06/17 Art Workshop with Alicia Bay Laurel: Visualization Altars with Crystals.
Starts at 15:00. 8000 yen. Meet at Under the Light Yoga School Shogakukaikan-bekkan 4F, 1-53-4, Yoyogi, Shibuya-ku, Tokyo 151-0053 Flier: http://holiken.net/?pid=74868539 Contact: mail@rietreat.com
Alicia's 2007 inner child shrine-web sized
Photo of Alicia Bay Laurel’s shrine “Love to My Inner Child,” made on Oshima Island, 2007.

06/17 Concert at Under the Light Yoga School Starts at 18:30, 2500 yen. Shogakukaikan-bekkan 4F, 1-53-4, Yoyogi, Shibuya-ku, Tokyo 151-0053

06/21 Concert (featuring Ikue Asazaki) and Little Eagle Fashion Exhibition and Fashion Show, Cafe Slow, Kokubunji, Tokyo. Starts at 19:00, seats 3800 and 4300 yen. http://www.cafeslow.com/

06-21 Cafe Slow

06-08-13-Japan-Kokubunji-Cafe Slow-Ikue Asazaki and ABL say goodnight
Photo of Ikue Asazaki and Alicia Bay Laurel at Cafe Slow, 06/08/2013

06/22 Concert and Little Eagle Fashion Exhibition and Fashion Show, Asaba Art Square, Kanazawa-Bunko, Kanagawa. Starts at 15:00. Seats: 2500 and 3000 yen, children 5 to 18, 1000 yen

06-22 Asaba

06/27 Concert and Little Eagle Fashion Exhibition, Gallery Kan, Fukushima. Start 18:30, 3000 yen.

06-27 Kan, Fukushima

06/29 Concert and Little Eagle Fashion Exhibition, Manos Garden, Hiroshima. Start 16:00, Seats 2500 and 3000 yen.

06-29 Manos Hiroshima

07/04 Concert (featuring UA) and Little Eagle Fashion Exhibition and Fashion Show, Cafe Unizon, Ginowan, Okinawa. Starts 19:00. Seats 2500 yen. http://www.cafe-unizon.jp/

07-04 Unizon

07/12 Concert and Little Eagle Fashion Exhibition at RAW CAFE by cacao?magic_ in Kyoto. Starts 19:00. Seats 2500 and 2800 yen. http://www.cacaomagic.com/

07-12 Cacao Magic

07-12 Cacao, Millet

07/13 Concert and Little Eagle Fashion Exhibition and Fashion Show at Cafe Millet, near Kyoto, Start: 14:30. 3500 yen.

07-13 Cafe Millet

07/19 Concert and Little Eagle Fashion Exhibition and Fashion Show, Bagus, Wakayama. Start 19:00. Seats: 2500 and 3000 yen http://www.wakanoura.com/bagus/

07-19 Bagus

07/21 Concert and Little Eagle Fashion Exhibition, Art Café Nafsha, Awajishima. Start 19:00. Seats 2500 yen

07-21 Nafsha

07/26 Concert with Inoue Ohana Band and hula by Miho Ogura, Alishan Organic Center, Hidaka, Saitama.
Start at 15:30. Seat and one drink: 2300 yen. 

07-27-13-Japan-Nakasakuma-Yamapara-Miho dances and Kathie, ABL and Keni play Nami, Yasu and Kensuke watch
Photo of Miho Ogura, Kathie and Keni Inoue and Alicia Bay Laurel performing together at an outdoor festival at Yamapara Organic Farm, in Nakasakuma, Chiba, on 07/27/2013.

08/02 Concert and Little Eagle Fashion Exhibition, Little Eagle Aso, Kumamoto. Start at 18:00. Seats 2000 and 2500 yen.

08-02 Aso

08/05 Concert and Little Eagle Fashion Exhibition, Daisho-in Temple, Hiroshima. Start 18:00. Tickets by donation.

08-05 Daisho-in

08/08 Concert and Little Eagle Fashion Show, Arts & Crafts Village, Okayama. Start 18:00. Seats 2500 and 3000 yen.

08-08 Okayama

08/09 Peace Concert in Hiroshima (with other musicians). Start 15:00. Location and ticket price TBA.

08-09 Peace concert

More Songs From Living on the Earth – extended album notes and lyrics

MSFLOTE Cover for ABL website

 

buy More Songs from Living on the Earth

 

This CD is available from CD Baby, plus (soon) a multitude of digital download sites, including iTunes.

I wrote these songs in the 1960s and ‘70s, when I lived and created my books in rural communes in Northern California, Vermont and Hawaii – except for Paisley Days, which I wrote in 1986, looking back on those times. Miraculously, the cassette home recordings I made of them survived into 2013, when I digitized them, relearned the songs, and began producing this recording, with the help of a host of super-talented collaborators.

ItÂ’s not my first dip into the well of songs I composed during that time. My first CD, Music from Living on the Earth, released in 2000 during my national tour for the 30th anniversary edition of my book Living on the Earth, is another collection of 17 of these songs. ItÂ’s mostly a solo vocal/guitar recording (the last track is an a capella choir), and is also available on CD Baby.

Also, the CD Songs from Being of the Sun, released in 2013, is a re-mastered recording of music I wrote or co-wrote during the late 60s and early 70s, recorded with and by composer/musician Ramon Sender Barayon, just before our book Being of the Sun (Harper & Row, 1973) was published. It, too, is available on CD Baby.

The musicians on More Songs From Living on the Earth (including me) were recorded by Chris McNeil (at his studio in La Herradura, Spain), Mark DeCozio (at his studio in Scottsdale, Arizona) and Ron Grant (at his studio in Los Angeles CA).

The synth orchestration and programming on “Devotion to a Spiritual Guide,” and the editing, mixing and mastering of the whole album are all by Ron Grant, an Emmy and Oscar-winning film composer. He created the orchestral/choral arrangement for Devotional for a Spirit Guide, plus sound effects on New Years Eve Party, and additional synthesizer sound tracks on Butterfly Farewell and Yabyum. This is the 4th CD on which we have collaborated. He also creates animated stories for children.

Los Angeles-based graphic designer and marketing consultant Al Lopez created the digital layout for the packaging from my illustrations, lettering and design ideas. This is the fifth CD art collaboration IÂ’ve done with Al. I respect his abilities and ideas tremendously.

The dazzling golden photo of me on the traycard was taken by Vin Oota on May 30, 2012 at Café Slow, Kokubunji, Tokyo, Japan.

In the photo, I am wearing organic cotton, handmade, fair trade clothing designed by the brilliant Kaorico Ago for her Japan-based natural fashion company, Little Eagle.

I created all of the music, lyrics, and arrangements, the packaging design, liner notes and illustrations (most of which are from my book Living on the Earth.) I sang all of the lead vocals, played guitar on every track (melody guitar on all except tracks 5, 9, 14 and 17, on which I played rhythm guitar), sang harmonies on tracks 4, 6, 11 and 15, and produced the CD on behalf of Indigo With Stars, Inc. The songs are published by Bay Tree Music, a subsidiary of Indigo With Stars, Inc., and all of the songs are copyrighted and registered with ASCAP as of 2014.

About the musicians:

Some of Mark Hewins’ guitar solos are played on a guitar synthezier, and sound like pan pipes (Piper of the Woods), bells (Yabyum) and ethereal harmonics (Butterfly Farewell). HeÂ’s from the UK and recorded for me in Spain. Besides playing guitar, he does research and development of electronic musical instruments.

Gwendolyn Sanford is a psych folk luminary who has made many beautiful CDs of her own. Her soprano harmonies are on Beautiful, Beautiful, Have a Good Time, and New Years Eve Party. SheÂ’s based in LA, where she and her husband Brandon Jay create soundtracks for TV series including Weeds and Orange is the New Black, as well as perform in bands they lead, separately and together.

Brian Brigham is a professional vocalist based in Los Angeles, currently singing back-up in Â’60s pop legend Franki ValleeÂ’s band, and doing studio vocal work in between tours.

Gonzalo Palacios is a wonderful young guitar player from Madrid who we recorded on mandolin in Los Angeles, where he lives and works. I love that his mandolin style is more southern European than bluegrass; it works perfectly on Have a Good Time and New Years Eve Party.

Tom McNalley is a great young guitarist based in Los Angeles. I totally under-used his talents, requesting only a couple of rhythm guitar tracks (Surviving in Style and Song of You and Me) and a lead solo (Song of You and Me).

Louis Hanshaw is a pop guitarist/vocalist/arranger from the UK, based in Torrox, Spain, whose genius for middle harmonies shows up on Have a Good Time and New Years Eve Party.

Benn Clatworthy is a multi-reed player from the UK, based in Los Angeles. He played a swinging tenor saxophone on Paisley Days (1986), as well as a lovely classical flute duet that Ron Grant wrote for Devotional for a Spiritual Guide.

Doug Webb is a renowned live and session player in Los Angeles. He played soprano, alto and tenor saxophones as well as clarinet on my 2006 CD What LivingÂ’s All About. So, I called him to play clarinet in the 1920s style again, on Hang Around and Boogie.

Dwight Kilian is based in Phoenix, and used to be Adjunct Professor of Jazz Bass at Arizona State University, but now works as the musical director of a big church. HeÂ’s a very busy man, but, in an astonishing marathon, he managed to record all 17 of the bass tracks in one epic day at Mark DeCozioÂ’s studio in Scottsdale, and kept his usual positive attitude through it all. I especially love his bowed drone on Onward, Onward Ever Flow.

About the songs:

1. Surviving in Style:

These lyrics contain a statement of my personal philosophy, beginning with a reference to William Blake’s poem, “Eternity”:

He who binds to himself a joy
Does the winged life destroy;
But he who kisses the joy as it flies
Lives in eternityÂ’s sunrise.

BlakeÂ’s poem is about spontaneity and non-attachment as a spiritual path.

The lyrics of Surviving in Style observe us all learning from each other, expanding our ability to love, and caring for the Earth. They visualize peace and disarmament, and all people sharing the resources of the Earth. They also allude to the mass extinction toward which the human race is currently rushing.

I wrote this song in the early 1970s, long before climate change was even being discussed. This song refuses defeat. It is a call to action.

Verse 1
Well, I have seen both fame and fortune
I have let them go by
Only thing that I hold on to
Is to kiss the joy as it flies
Flying away, each moment giving birth
To the next and next, on forever
Time is a teacher, second only to love
And we are learning to be better
Better at loving, better letting go
Better at living in the shadow of the future

Verse 2
Well, I have blamed the older people
For the way the world was spinning
Towards disaster, bend over,
And kiss your ass goodbye
But now I say each generation
Can find a means or measure
To help out, and make the world survive
We are all teachers, we are all yearning to love
And we are learning together to be better
Better at sharing, better at showing our love
Better at shining through the shadows of our fears

Bridge
Someone with the right tools could take the bombs apart
Someone with the right words could open peopleÂ’s hearts
With open-hearted sh
aring, there is still enough for all
With open-hearted daring, erase the writing on the wall

Verse 3
Well, I have had another vision
Of a world where everybody
Lived in harmony and safety and non-conformity
ItÂ’s just a conscious jump away
And we can take that jump today
To make a future our children can survive
LetÂ’s let them teach us
To laugh and to love
And to make our little world a little better
Better for children, better for creatures of the earth
Better for coming generations of the future

Coda
Singing about survival, surviving in style
Living long, and dying with a smile.

2. Piper of the Woods:
An erotic love song, in which the archetypal god of the woods and fields is invoked through the eyes of a human lover. His iconic pipes surround the listener, darting from one stereo channel to the other, as if the Piper were merrily dancing through the trees, calling and enchanting with his music. The beloved singing to the Piper is clear that, while she surrenders to him, she is not subservient. They meet as equals.

Verse 1
And in the morning you awakened next to me
Took my pretty body in your arms
Through the trees the sun was shining gently
Spreading warmth, as we flirted and fused
Through your eyes Pan was smiling at me
The playful piper of the woods

Verse 2
Over longer distances you have spoken to me
Taken my soul into your own
Through the wires we exchanged electricity
From your home, over highways and roads
Through the words spoken explicitly
Of playful mornings in the woods

Bridge
Speaking your beautifully chosen words
Weaving your stories of whimsy
You ignited my gypsy soul
Reminding me, strength is within me
Strength is within me.

Verse 3
And on the morning we awaken next, youÂ’ll see
As you take my picture with your mind
Through our lives we collect memories
Cruel or kind, we interpret as we choose
Through our youth time both lingers and flies
Oh, playful piper of the woods

Bridge 2
Singing my quickly frozen words
Believing the gift merely comes through
IÂ’m repaying a debt in kind
Reminding you, faith is within you
Faith is within you

Verse 4
And in the evening our stars intertwine
As you take my pretty body in your bed
Beneath conjuncting moons so freely
You have said that I am what you choose
Beneath our fantasies we meet equally
Oh, playful piper of the woods

Coda
Playful piper of the woods, playful piper of the woods
Playful piper of the woods, playful piper of the woods

3. Hang Around and Boogie:
“Groovy” was the superlative of choice for English-speaking bohemians in the late 1960s and early 1970s. It implies being “in the groove,” in synch with the natural rhythms of life. The narrator of the song, a flirtatious girl speaking first to herself, and then to a prospective partner, describes the very relaxed intimate relationship she desires, and then suggests that we all live a life we love.

Verse 1
Would you like a love in your life?
Yes, IÂ’d like a love in my life;
I want somebody groovy
To hang around and boogie with me.

Verse 2
Would you like to live by the sea
And plant a little garden with me?
I want somebody groovy
To hang around and boogie with me.

Bridge 1
Somebody easy to laugh with
Someone to go half and half with
On the dues and the juice.

Verse 3
I like to do the things that I do,
And I like the way that I do them, too.
I want somebody groovy
To hang around and do them with me.

Verse 4
Would you like a girl in your life?
You wouldnÂ’t have to call her your wife.
All she wants to do with you
Is hang around and boogie with you.

Bridge 2
Somebody mellow to hug with,
Someone to roll on the rug with
And play in the hay

Verse 5
WhatÂ’s your favorite version of bliss?
Wrap it up and seal with a kiss
Take it home and open the card
Have a little love in your life

Coda
Have a little lovinÂ’ in your life!

4. Devotional for a Spiritual Guide:
A hymn of appreciation for a person who has focused over a long period of time on developing unconditional love, selfless service, and higher consciousness, thereby inspiring others to do the same, but in their own ways. The third verse is a set of life instructions received from such a being.

Verse 1
Your love is the signature of GodÂ’s love in our lives
When you came we knew that God was listening
And your heart is the temple drum at our initiation
Your eyes are the altar of our christening
So deep is the love youÂ’re expressing
From a Source thatÂ’s never lessening
So remember wherever you go today
YouÂ’re going with our blessings.

Verse 2
Your soul is a masterpiece painted of compassion
Your mind is a channel of creation
And your life is a Sufi tale of non-attachment
Lived in every moment and location.
And our love is a heart to heart connection
With a movement toward perfection
And the beauty that we find in you
Could only be a reflection

Verse 3
Each day is an amphora full of holy wine
Each breath we sip it from a chalice
Drink deep of the nectars of the sun and the moon
Shining on our planetary palace
And whoever you meet here, love them
For our cups are always filled again
And follow your wildest fantasy
For that will be your salvation.

5. Serenade:
A shimmering summer blues-waltz for two lovers living close to nature.

Verse 1
Sun down, moon crown, blue skies, rosy clouds
Oh moon, youÂ’re the song that IÂ’ll sing about
As the sun goes down
Lily ponds, coconut fronds
In your crescent light

Verse 2
Sun-crowned moon man, blue eyes, gentle hands
Oh you, youÂ’re the one that IÂ’ll serenade
As the sun goes down
Stars fall through the hall
Of the citadel of time

Verse 3
Sunrise, sleepy eyes, another day in paradise
With you, free to follow our fantasies
‘Til the sun goes down
You take me far beyond the stars
IÂ’ve ever seen before

Verse 4
Sun high, you and I, in a meadow in July
And you dance above and inside of me
‘Til the sun goes down
Shadows pass through the grass
Bowing to the east

Verse 5
Sun down, moon crown, blue skies, rosy clouds
Oh moon, youÂ’re the song that IÂ’ll sing about
As the sun goes down

6. Beautiful, Beautiful:
A celebration of the powers of positive thinking, appreciation of others and self, enjoyment of the moment, and the beauty that radiates from a person engaged in these processes.

Chorus
Beautiful, beautiful, beautiful, beautiful
Beautiful, beautiful, beautiful, beautiful
Beautiful, beautiful, beautiful, beautiful
Beautiful, beautiful, beautiful, beautiful

Verse 1
Everyone I know is so beautiful, beautiful
And everywhere I go is so beautiful, beautiful
My oh my, itÂ’s all beautiful, beautiful
And so am I, IÂ’m beautiful, beautiful

Bridge 1
IÂ’ve taken off those blue-tinted shades
This rosy colored visionÂ’s paying back in spades
I believe in magic that flows from above
And beauty is a talent for inspiring love

Verse 2
Look at yourself, youÂ’re so beautiful, beautiful
And everyone else is so beautiful, beautiful
When you can see weÂ’re all beautiful, beautiful
ThatÂ’s how you can be so beautiful, beautiful

Bridge 2
Throw away the worry and b
ring on the bliss
Turn your mind right over, let it dance like this
No more waiting for pie in the sky
We get to go to heaven before we die

Verse 3
Everybody here is so beautiful, beautiful
ThereÂ’s nothing to fear when itÂ’s beautiful, beautiful
So come on and say itÂ’s all beautiful, beautiful
A beautiful day, so beautiful, beautiful

Chorus
Beautiful, beautiful, beautiful, beautiful
Beautiful, beautiful, beautiful, beautiful
Beautiful, beautiful, beautiful, beautiful
Beautiful, beautiful, beautiful, beautiful

7. Green, Green Rain:
A year of weather changes in Northern California, from arid summer to stormy winter, with its flooding rivers. The sheet music was first published in the book Being of the Sun, which I co-authored with Ramon Sender Barayon, in 1973.

Verse 1
Green, green, green, green spring valley forest
Sun smiling shy, gently calling
Back the rain from the grass, turn, turn summer brown
‘Til the green, green rains come falling.

Verse 2
Fall, fall, fall thunder showers in the autumn
Dark clouds shout, for theyÂ’re roaring
Power songs to the grass, turn, turn winter green
When the green, green rains come falling.

Verse 3
Long, long, long, long cold winter nights
Rain seems to call out a warning
Of a flood, and the grass cries, cries in the mud
Like a lady all covered for mourning.

Verse 4
Pray, pray, pray for the sun to come back
Sun shining warm on our bodies
That have grown, with the grass, green, green in the winter
When the river came up to the cottage

Verse 5
Green, green, green, green spring valley forest
Sun smiling shy, gently calling
Back the rain from the grass, turn, turn summer brown
‘Til the green, green rains come falling.

8. Hard Living:
The work of changing human society so that it benefits the many rather than the few is often stressful, exhausting, and dangerous. Yet, it must be done. Loving and sharing imparts strength and inspiration.

Verse 1
ItÂ’s hard to go on living when you canÂ’t go to sleep
ItÂ’s hard to go on walking when youÂ’re falling on your feet
And itÂ’s hard to be forgiving when the whole world weeps

Chorus
But itÂ’s doing things that are hard that makes you strong
ItÂ’s doing things that are hard that gives you song
Lord, itÂ’s hard, hard living, loving brothers and giving,
No, it never, never was easy in this hard, hard world

Verse 2
ItÂ’s hard to go on talking when you canÂ’t back down
ItÂ’s hard to go on walking through a racetrack town
And itÂ’s hard to see the blocking that youÂ’re doing now

Chorus
But itÂ’s doing things that are hard that makes you strong
ItÂ’s doing things that are hard that gives you song
Lord, itÂ’s hard, hard living, loving brothers and giving,
No, it never, never was easy in this hard, hard world

Verse 3
ItÂ’s hard to face the lessons that you thought you learned
ItÂ’s hard to face the people that you know you burned
And itÂ’s hard to take the karma that you know youÂ’ve earned

Chorus
But itÂ’s doing things that are hard that makes you strong
ItÂ’s doing things that are hard that gives you song
Lord, itÂ’s hard, hard living, loving brothers and giving,
No, it never, never was easy in this hard, hard world

9. Hippie Hill:
In the mid-1960s, in Golden Gate Park, San Francisco, California, drum circles formed, dancers gathered, and neighbors from the Haight-Ashbury, Richmond, Sunset and Fillmore districts would gather to socialize, share what they had, and talk about what they hoped to build. It was the birth of a new society, based on compassion before profit, creativity before conformity, and serenity before materialism.

Chorus
Hippie Hill groovinÂ’, white clouds movinÂ’ on, so slow
Cool grass is soothinÂ’, long dresses movinÂ’ past, billow
Whoa, whoa, whoa, whoa, whoa, whoa.

Verse 1
IÂ’m feeling the sun in the air
Through the tangles of my hair
There are children and dogs running free
Through the conga drumsÂ’ African beat
Whoa, whoa

Chorus
Hippie Hill groovinÂ’, white clouds movinÂ’ on, so slow
Cool grass is soothinÂ’, long dresses movinÂ’ past, billow
Whoa, whoa, whoa, whoa, whoa, whoa.

Verse 2
If thereÂ’s heaven, itÂ’s here, right now
If it isnÂ’t, itÂ’s a-cominÂ’ any how
So IÂ’m digginÂ’ that comfortable sky
And the trees are all nodding in time
Whoa, whoa

Verse 3
Get a groove on and move on, down here, right now
ItÂ’s the happÂ’ningest place in this town
Bring the best thing that youÂ’ve got to share
Cause a new world is being born here
Whoa, whoa

Chorus
Hippie Hill groovinÂ’, white clouds movinÂ’ on, so slow
Cool grass is soothinÂ’, long dresses movinÂ’ past, billow
Whoa, whoa, whoa, whoa, whoa, whoa.

10. Butterfly Farewell:
People evolve, and, like caterpillars becoming butterflies, they depart for new realms that resonate more harmoniously with their evolved selves. This song is a farewell to enduring forced conformity, ridicule and cruelty. This is a departure without revenge, but, rather, with the joy of newfound freedom.

Verse 1
Today I am a butterfly
Flying to a better sky
Not another bitter sigh
To utter as I flutter by
So high, so high
Goodbye, goodbye

Verse 2
Once a walking sleeping bag
Caterpillar scallywag
Followed any waving flag
IÂ’ve taken off my number tag
IÂ’m free, to be
Just me, IÂ’m free

Verse 3
Aloft upon these lovely wings
Everything inside me sings
Far from those confining things
Those frowning clowns, those poison stings
I go, I grow,
I flow, I glow

Verse 4
Today I am a butterfly
Flying to a better sky
Not another bitter sigh
To utter as I flutter by
So high, so high
Goodbye, goodbye

11. Have a Good Time:
Happiness becomes possible when consciousness is focused entirely in the here and now moment. Then, many kinds of fulfillment can be realized.

Chorus
Have a good time, have a good time
Everybody loves to have a good time
From the ridiculous to the sublime
Everybody loves to have a good time

Verse 1
You can make your work play, just have a good time
And once you get your pay, go have a good time
ItÂ’s a beautiful day, so have a good time
DonÂ’t delay, go have a good time

Chorus
Have a good time, have a good time
Everybody loves to have a good time
From the ridiculous to the sublime
Everybody loves to have a good time

Verse 2
Well, the way to relate is to have a good time
Or rehabilitate, try to have a good time
Are you looking for a mate, just have a good time
DonÂ’t hesitate, go have a good time

Bridge
Eat when youÂ’re hungry and sleep when youÂ’re tired
Love when youÂ’re loving and dance when youÂ’re wired
Hug when youÂ’re lonely and cry when youÂ’re sad
Everybody does it and it ainÂ’t so bad

Verse 3
Instead of making trouble just have a good time
And if youÂ’re seeing double, got to have a good time
Blow a shiny bubble, and have a good time
RockinÂ’ in the rubble, gonna have a good time

Chorus
La la la la la la la la la la la la la la la la
La la la la la la la la la la la la la la la la

Verse 4
If you want to find God, just have a good time
If you find it too hard to have a good time
Tell us what you want is to have a good time
YouÂ’ll get your reward, youÂ’ll have a good time

Chorus
Have a good time, have a good time
Everybody loves to have a good time
From the ridiculous to the sublime
Everybody loves to have a good time

12. Onward, Onward Ever Flow:
Inspired by this quote from the Book of Tao:

Nothing in the world is more gentle than water, yet nothing is stronger.
Water nurtures life, yet cuts through solid rock.
Overcome obstacles with the strength of gentleness.

The sheet music was first published in the book Being of the Sun, which I co-authored with Ramon Sender Barayon, in 1973.

Chorus
Onward, onward flows the water
Quiet sounds and life below
Lapping soft against the earthÂ’s side
Never stopping, ever flowing,
Onward, onward, ever flow.

Verse 1
Find me in the mountain meadows
If I go, I never know,
Find me smiling on the valley
Onward, onward ever flow

Chorus
Onward, onward flows the water
Quiet sounds and life below
Lapping soft against the earthÂ’s side
Never stopping, ever flowing,
Onward, onward, ever flow.

Verse 2
Sunshine humming on the mountains
Ever down the melting snow
River running in the valley,
Onward, onward ever flow

Verse 3
Rocks are stiff against the water
Never let their softness show
Soon are broken down to sand dunes
Onward, onward ever flow

Chorus
Onward, onward flows the water
Quiet sounds and life below
Lapping soft against the earthÂ’s side
Never stopping, ever flowing,
Onward, onward, ever flow.

13. Song of You and Me:
When two artists fall in love, they share not only their erotic and emotional attraction to one another, but mutual appreciation of their creativity, skills and knowledge as well.

Verse 1
Ever since I was thirteen years I played a steel guitar
And I dreamed of a man from a guitar band with a face like a movie star
Well, now weÂ’re sitting face to face, singing harmony
ItÂ’s a love duet that I wonÂ’t forget, the song of you and me

Verse 2
You look at me so easy, smiling as you play
YouÂ’re one electric guitar man for a ukulele lei
Are you thinking of the moment that surely lies ahead
When we put aside our guitars and play drumbeats on the bed

Chorus
Synch your rhythm with me, baby
Raise your action, letÂ’s go crazy
Sing me a song and IÂ’ll sing you a song
And weÂ’ll listen to each otherÂ’s music all night long

Verse 3
My heart is pumping thunder, and stars light up my eyes
Your laid-back cowboy poet style kind of took me by surprise
YouÂ’re holding me and humming a love song you just wrote
IÂ’m singing one to you right now that matches note for note

Chorus
Synch your rhythm with me, baby
Raise your action, letÂ’s go crazy
Sing me a song and IÂ’ll sing you a song
And weÂ’ll listen to each otherÂ’s music all night long

14. Yabyum:
The title (which means “father/mother” in Tibetan) describes a position used for tandem meditation, with the male seated cross-legged and the female straddling his lap, facing him. It is often depicted in Tibetan and Nepalese sacred paintings and sculpture. The partners gaze into one another’s eyes, aligning their breathing and heartbeats. This practice does not aim at creating orgasms or babies, but rather at raising kundalini (spiritual energy) through the chakras (energy centers of the body), raising consciousness beyond the ego and into oneness with the Universe.

Verse 1
Long we have grappled in the darkness
Enter the pyramid of light
Come, oh come and love me now
Enter the pyramid of light

Verse 2
Long we have fumbled through the curtains
Of fear and ego in the night
Come, letÂ’s now be god and goddess
Come letÂ’s be channels of the light

Bridge 1
Folded in a lotus on a shimmering lake
With all the cosmos swimming by
We will breathe together, beat our hearts together
Chakra to chakra, eye to eye

Verse 3
In your body is the presence
Of my angel spirit guide
In my aura, love eternal
That seeks to lift your fallen pride

Bridge 2
So, love you, love you, wonÂ’t you love yourself?
Love you, love you, itÂ’s the wealth
That will sustain you and glorify you
Give you your freedom and your health

Verse 4
Divine beyond all human sorrow
Enter the pyramid of light
Ascend the throne your rightful home
Enter the pyramid of light

Coda
Ascend the throne your rightful home
Enter the pyramid of light

15. New YearÂ’s Eve Party:
I love that there is a holiday that celebrates the passage of time. I spontaneously created the song “Goodbye 1974” at a New Year’s Eve party at Modelia studio on Maui, on December 31, 1973. The other musicians at the gathering, including dear Delia Moon (for whom the recording studio was named), made up more verses as we went along, and the song became a tradition for some years after that, with new verses added as the dates changed. So, now I am inviting anyone who would like to join us in this song, to create new verses at New Year’s Eve parties to come.

Chorus
Goodbye 1974, weÂ’ve seen the last of you
Goodbye 1974, we sang until you were through

Verse 1
I remember the birthdays when they all came ‘round
We danced ‘til both feet rose off of the ground
I remember the sights, I remember the sounds of 1974

Chorus
Goodbye 1974, weÂ’ve seen the last of you
Goodbye 1974, we sang until you were through

Verse 2
I remember the time I got so high
It maybe was June, or maybe July
I laughed ‘til the tears rolled out of my eyes in 1974

Chorus
Goodbye 1974, weÂ’ve seen the last of you
Goodbye 1974, we sang until you were through

Verse 3
And now that we’ve made it to ‘75
IÂ’m glad that we all came through it alive
It looks like we all are gonna survive ‘til 1976

Spoken word:
Now you can customize this song for any New YearÂ’s Eve you happen to be celebrating. Just change the year and write a new third verse! IÂ’d love to hear it if you do.

Chorus
Goodbye 1974, weÂ’ve seen the last of you
Goodbye 1974, we sang until you were through

Coda:
Sang until you were through
Sang until you were through
Sang until you were through

16. Last Song of the Night:
This song recalls those gorgeous nights without electricity, when we retired from singing around the campfire together, to our simple, hand-built, candle-lit, dwellings. The sheet music was first published in the book Being of the Sun, which I co-authored with Ramon Sender Barayon, in 1973.

Verse 1
ItÂ’s the last song of the night
ItÂ’s the last song of the night
WeÂ’re going to lie down
But weÂ’ll still hear the sound
Of the last song of the night.

Verse 2
ItÂ’s the last song of the night
ItÂ’s the last song of the night
WeÂ’re going to our beds
But echoed in our heads
Is the last song of the night.

Verse 3
ItÂ’s the last song of the night
ItÂ’s the last song of the night
WeÂ’re going to sleep
But in our hearts weÂ’ll keep
The last song of the night

Coda
ItÂ’s the last song of the night.

17. Paisley Days (1986):
By the mid-1980s, the great flowering of the flower children had all but disappeared, although some of the rural communes continued, and most of the political activists remained active. Many of my friend
s arranged their lives around providing a middle class upbringing for their children. I was studying music, working as a musician, and writing jazz tunes, including this one. It’s a sentimental review of the ’60s and ’70s, and also a decision to continue with the best of what I learned and lived then. And, to my astonishment, the Paisley Days DID come back again – a decade later – with the Millennials, many of whom struggle mightily for environmental preservation and for social justice, and who are as proactive in creating creative, ethical and natural lives as we were in our youth.

Verse 1
When will the paisley days come back again?
Sometimes I wonder with my old friends
We would always spare the rod
And each of us could talk to God
And poverty was chic in our paisley days

Verse 2
I used to hitchhike everywhere by myself
My faith was unshakeable and so was my health
Costume tatters we would wear
Beneath the wildness of our hair
We said “Don’t knock it ‘til you’ve tried it” in our paisley days

Bridge 1
We were survivors who boycotted war
We were living proof that less is more
We thought weÂ’d outnumber the rich and their guns
By showing that sharing could be much more fun

Verse 3
Perhaps we were blind, fashion passed us by
And as we got older, our ideals didnÂ’t fly
Upwardly mobile now, good consumers anyhow
Sometimes we felt ashamed of our paisley days

Bridge 2
But we were pioneers of inner space
We dreamed of a peaceful human race
For music we gathered half a million strong
Blind you may say, but I donÂ’t think we were wrong

Verse 4
Friends, “peace and love” is still all right with me
And freedom includes non-conformity
IÂ’m gonna try to seek the Light, and cheer for men who will not fight
And live the simple ways of my paisley days

Coda
Praise the simple ways of my paisley days
Praise the simple ways of my paisley days
I praise the simple ways of my paisley days

Kimberly Hughes article about my 2013 Japan Tour

06-29-13-Japan-Kyoto-Cacao Magic-ABL laughs w guitar onstage

Below is Kimberly HughesÂ’ interview/article for the Mainichi Shimbun newspaper, which she created during my 2013 Japan tour. I met Kimberly in 2012 when she worked with me interpreting for me at several of my concerts, and weÂ’ve been good friends ever since.

The photo was taken at my 2013 concert at Cacao Magic (a vegan café in Kyoto). I am wearing organic fiber clothes created by my friend and collaborator, fashion designer Kaorico Ago for her company, Little Eagle.

U.S. artist and author brings timeless message of natural, sustainable living to Japan

Alicia Bay Laurel was barely over twenty when her self-illustrated book “Living on the Earth” — often referred to as a “bible” among those seeking to live in harmony with nature — became a best-seller in the United States in 1971.

The book included tips on everything from canning food to making handmade soap to stitching shoes — all knowledge that was essential for outdoor living among those, like Laurel, who had joined the back-to-the-land movement of the day.

Far from being out-of-date, however, the book continues to resonate among those who crave a simpler way of living within today modern, chaotic world.

Now 64, Laurel — who is also an accomplished guitar player and singer — is presently on tour in Japan to promote her two latest CDs, sign books, and share stories of her fascinating life growing up in the U.S. during an era of collective living and large-scale social movements for peace and justice.

Laurel’s swift rise to author fame surprised herself as much as everyone else. “I had moved from Los Angeles to a hippie commune in northern California in the late 60s, and as a city girl with no outdoor skills, I decided to interview residents to get their advice for living in nature — which I then compiled into a hand-written notebook together with my illustrations,” she told an audience packed inside a cozy venue in Kunitachi, western Tokyo.

“At first, I didn’t even know how I would go about making a single photocopy of it — much less imagine that it would go on to be published and reach international fame.”

The Japanese translation of “Living on the Earth” was published in 1972 by Soshisha Ltd., which also went on to release her next book, “Being of the Sun” — which Laurel describes as her first work’s “spiritual sequel” — as well as her three books for children.

Laurel toured Japan for the first time in 1974, where her artistic muse found deep inspiration. “Right away,I noticed that the entire country shared an advanced sense of design that permeated even the most humble and commonplace objects,” she recalls. “I also noticed that ordinary transactions were conducted with a sense of awareness and decorum that I had not previously encountered anywhere else.”

Her connection to the country was renewed in 2005, when outdoor magazine Be-Pal sent a journalist to interview her in Hawaii, her home for some 25 years. This was followed by introductions to the environmental nonprofit organization Artist Power Bank, who invited her back to Japan to perform at its events and hold workshops — and its sister project Kurkku, a complex of environmentally sustainable businesses that organized the first of her yearly tours for Laurel in 2006.

Following the 2011 disaster in Tohoku, both organizations also helped coordinate an initiative to raise funds for survivors by selling T-shirts and other goods at their music concerts that featured LaurelÂ’s trademark flowing line designs.

Laurel is presently on a two-month tour of the archipelago, where her itinerary includes some 30 performances across 12 prefectures, as well as an art retreat on the island of Niijima, a sacred shrine tour in Okinawa, and a performance at a farm on southern ChibaÂ’s Boso peninsula.She is also collaborating with numerous other artists and performers, including natural clothing designer Little Eagle and Hawaiian reggae band Inoue Ohana.

Laurel’s message of reconnecting with nature has found an eager audience in Japan, where people inevitably line up in their dozens for a chance to speak with her following her performances. One man told her that he and his wife had home-birthed all three of their children using advice from “Living on the Earth,” while another woman said that Alicia’s message reminded her of an earlier era in Japanese history when worship of the sun goddess Amaterasu was a common practice.

During a performance last month at Beach Muffin Café, located along the shores of Zushi in Kanagawa Prefecture, Laurel swapped her guitar for a zither and began performing a series of songs from “Being of the Sun.” She explained that the tunes were in fact chants— each of which expressed reverence for a particular natural cycle,such as a time of day or a particular season.

“Mountains, wind, ocean and sun are teachers,” reads an excerpt from the book. “Lessons abound for the observant.”

During a recent performance held at an art gallery in Tokyo’s Daikanyama district, which also hosted an exhibition featuring illustrations from “Living on the Earth” that had been framed in driftwood, Laurel told the audience, “I strongly support the ‘hydrangea revolution’ movement in Japan, where people have taken to the streets to call for an end to nuclear power. We in the United States have much to learn from the Japanese people in this regard.”

In an interview with the Mainichi, Laurel commented, “Sustainable technology has been around for a long time. We don’t need fossil fuels or nuclear power, which are used only because they are enriching the 1400 billionaires of our planet.”

Asked about any advice she had to share with those seeking to revive the passion and spirit of earlier eras, she said, “Vote with your wallet. Avoid buying products made by companies that pollute the planet and/or violate human rights, and support politicians that try to stop these companies from doing so.”

“Also, volunteer,” she concluded. “Whether it’s helping with childcare for single working mothers or organizing clean-ups of polluted places, there are thousands of necessary things to be done to make this a more sustainable and just world.”

Alicia Bay LaurelÂ’s Japan tour will conclude on August 4th [2013]. For more information and a schedule, visit her website at http://www.aliciabaylaurel.com.

Alicia Bay Laurel 2013 Japan Concert Tour

This tour celebrates the release of two new CDs!

 

SFBOTS Cover for Flickr.jpg

It’s available here.


LTYE Cover for CD Baby.jpg

It’s available here.

 

Here are the bookings and posters as of 06/29/2013.  Please check back for any changes!

06/06 Live with RabiRabi at OPPA-LA at Enoshima, open at 19:00 http://www.rabirabi.com/top/top.html
RabiRabi OPPA-LA event.jpg
06/07 Live at Hapon in Shinjuku, start at 19:00 http://hapon.asia/shinjuku/event/post2725/

06/08 Live with Little Eagle at Café Slow in Kokubunji, start at 19:00 http://event.cafeslow.com/?eid=1080490 and http://plusminustsuchi.com/littleeagle20120530/
Little Eagle Cafe Slow event.jpg
06/09 Live with Little Eagle at Beach Muffin in Zushi, start at 17:00
Little Eagle Beach Muffin event.jpg

06/15 Live with Little Eagle at Jisoan in Sue, Gifu, start at 14:00
Little Eagle Jisoan Gifu event.jpg
06/16 Live with Little Eagle at Café Ocean in Nishio (near Nagoya), start at 17:30
Little Eagle Cafe Ocean event.jpg
06/21 Live with Little Eagle at Art Café Nafsha on Awaji Island, start at 19:30 (Summer Solstice!)
Little Eagle Art Cafe Nafsha event.jpg
06/22 Live with Little Eagle at MiCaLi in Mino, Osaka, start at 18:30

Little Eagle MiCaLi event.jpg
06/23 Live with Little Eagle at Bagus in Wakayama, open at 15:00
Little Eagle Bagus event.jpg
06/29 Live with Little Eagle at Cacao Magic in Kyoto, start at 18:00
Little Eagle Cacao Magic event.jpg

gallery speak for-LOTE-canning for tour 2013.jpg
07/02 Live at Gallery Speak For in Daikanyama, Tokyo, start at 18:00. Reception event for show of original 1970 drawings from Living on the Earth, many with new Alicia Bay Laurel drawings on the mat boards, and framed in driftwood by master craftsman Yuji Kamioka.  Show runs 06/21 ~ 07/03
. Alicia’s live music at 18:30 on 07/02.  Address information: http://www.galleryspeakfor.com/ Here is a video of the installed show:
http://youtu.be/bZeFuZSVGUE  The music is “Everything is Flowing” from the CD “Songs from Being of the Sun.”
07/05 Live in Kanazawa, private event for Earth Keepers, start at 18:00
http://aas205.blogspot.jp/2013/06/living-on-earth.html

07/06 Live with Little Eagle at Oromina in Yokohama, start at 15:00
Little Eagle Oromina event.jpg
07/07 Live with Little Eagle at Alishan Organic Center in Saitama, start at 16:00
Little Eagle Alishan event.jpg
07/12 Live with Little Eagle at Cafe Unizon in Gi
nowan, Okinawa, start at 20:00

Little Eagle Cafe Unizon event.jpg

07-13-12-Japan-Okinawa-sacred sites tour-Sachiho in sacred spring.jpg 
07/13 to 07/15 Okinawa Sacred Sites Tour and Shrine Art Workshop at beautiful Donto-in, Tamagusuku, with Alicia Bay Laurel and Sachiho Saraswatie Kojima. For reservations, please contact Sachiho Saraswatie Kojima on Facebook or at OZUNU369 (at) dpx (dot) ne (dot) jp or call her at 070 5812 9088. Facebook event page https://www.facebook.com/events/158003121048714/

07/18 Live in Ueda at Café PANI http://www.pani.jp/

07/20 Live with Little Eagle at Lumiere du Lazuli in Matsumoto, start at 15:00.  Tickets 2000 yen in advance or 3000 yen on the day of the event.
Little Eagle Lumiere du lazuli event.jpg

07/25 Live with Inoue Ohana at Thumbs Up in Yokohama, start at 19:30 Facebook event page at: https://www.facebook.com/events/602798496410762
Picture 1.png

07/26 Live with Inoue Ohana at Chikyu-ya in Kunitachi http://chikyuya.info/contents/pickup


 

07/27 Live at YAMADA PARADISE FARM, presented by Green People
Open 16:30
Kathie and Keni Inoue (Inoue Ohana Band)17:30
Alicia Bay Laurel 18:30

608 Nakasakuma, Kyonan-machi, Awagun, CHIBA
ticket 1300(advance) 1500 (door)500(middle & high-school students)
more info by phone : 080-1282-6586 (Ohyama)

Facebook Event Page: https://www.facebook.com/events/198969503593654/

Tateyama 07-27-13 event.jpg Tateyama 07-27-13 event2.jpg


07/28 Live with Inoue Ohana at Studio M in Koganei starting at 16:00

Send us email for reservation to spoonful.tlh@gmail.com. More information on our web page http://www.tinylittlehideout.com/spoonful/top.html

07/30 to 07/31 SARO resort Nii-jima Island – Overnight massage, nature, music and art retreat with Alicia Bay Laurel and Rie Kuwahara of Rie-treats for Under the Light Yoga. For tickets, please contact Rie at rie (dot) kuwahara(at) gmail (dot) com

 


Niijima workshop poster for 2013.jpg

07/30 Live at SARO resort on Nii-jima Island (open to public), starting at 19:00. Address: Cafe and accomodation SARO, 3-3-4 Honson Niijima-mura Tokyo.

08/02 Live with Little Eagle at Shonan Club in Kamakura, start at 17:30
Event Fliers for 2013 Japan tour

 

 

08/03 Live event:

Vibration1 from Agriculture & Music
WASEDA SCOTT HALL
August 3rd, 2013, open 15:00
talk session about agriculture 16:00 by Alicia Bay Laurel, Kaoru Sugita & Kaoru Kawai
music session 17:00 by Alicia Bay Laurel, monk beat, DJ TATSUTA
close 19:00
Ticket 2000 yen advance?2500 yen at door

Music and agriculture event 08-03.jpg

08/04 Live with Inoue Ohana at Art Station POKARA in Nasu
Open at 14:30, start at 15:00
2500 yen for Live Event
1000 yen for Vegetarian Dinner after
Hula show included! 

253 Yumoto, Nasu-machi, Tochigi prefecture.
Tel 0287-76-4119
For more information, please call Kat-chan at 
090-6543-8272