Interview on Radio Free Phoenix


Friday, January 26, 2007. I visit Andy Olson and Cheryl Sweet at Radio Free Phoenix, their home-based local and internet radio station, for an interview.


Andy Olson is a veteran DJ of the early 1970’s FM radio revolution, which, he told me, played a big part in creating the singer/songwriter phenomenon of those days. The commercial stations on AM wouldn’t play the thoughtful, political and psychedelic music that was born of the consciousness boom of the late 1960’s, but a bunch of maverick DJs used the unwanted FM bandwiths of the time to promote these songs. After they proved there was a large listening audience for the new singer/songwriters, the big labels began to pick them up and the commercial stations began to play them.

Andy and Cheryl in the recording studio of Radio Free Phoenix.

However, now that a few media megaliths own the great bulk of the radio stations and play only whatever the big record companies are promoting, a similar revolution is taking place on Internet radio.  Maverick DJs are playing “indie” music,  that is, self-produced recordings by singer/songwriters that do not conform to the commercial norm.  That’s me.  Thanks to artist Tracy Dove for giving a copy of What Living’s All About to Cheryl Sweet last summer, and to DJs Andy Olson, Cheryl Sweet, Liz Boyle and Miss Holly King for playing four cuts from the CD ever since.


Andy told me that, since many commercial stations simply computerize their programs and no live DJ actually chooses or comments upon the music, in-studio radio interviews with musicians rarely air. But on non-commercial station programming and on Internet radio, the DJs and hosts welcome all kinds of content, including live interviews.


Considering the service that independent stations render to the community, they ought to be well-funded. However, most are running on scarce donations and volunteer work. Cheryl works nights as a cardiac nurse in a local emergency room, in addition to hosting her own radio show and, with Andy, raising four children. The station owes its continuation to her efforts.  Andy predicts that with the expansion of “wi-fi” (wireless internet connection) to cover entire cities, Internet radio will one day be as ubiquitous as conventional radio.  (Note from 2021: he was right!)


I loved being interviewed by Andy Olson and I hope you’ll enjoy listening to us. Click here to hear a podcast of it.

Making a Healing Altar


I created an altar recently expressly to convey comfort and courage to a friend valiently doing battle with stage 4 cancer. She’s a Wiccan priestess, and her friends, family and followers are united in prayer to give her strength. If anyone can beat this, she is the one.

I chose the goddess image in consonance with her faith, rising on butterfly wings that symbolize transformation. The three minerals are jade, for good fortune, rainbow obsidian, for the strength of firey elemental energies, and blue lace agate for serenity. The furnishings of the temple reflect the furnishings of her temple-like home.

The materials for the shrine came from last year’s greeting cards, a 2006 calendar, a scrap from Benida Solow’s lace and trim box, and a collection of small treasures and minerals that Tracy Dove gave me a couple of years ago. Tools: small sharp scissors and Aleene’s Tacky Glue (Benida’s hint: you can make extra-viscous glue at home by placing ordinary white glue in the freezer until it reaches the degree of thickness you prefer).


The small, lightweight box is made entirely of handmade paper made with flowers mixed into the pulp. The belt is printed with a Tibetan (or Celtic) knot symbolizing the eternal mystery. I received the box at Christmas time, containing a gift from Tibet Moon shop in Fairfax, California. Since the altar is light and small, my friend is able to take the altar with her when she attends medical appointments.


I signed it on the inside cover in gold ink, and added a postcard with the dancing goddess from the cover of my book Living on the Earth.

Physicist confirms what we wrote in Being of the Sun in 1972

“Saintly Throng in the Form of a Rose” by Gustav Dore

Ramon Sender, co-author of Being of the Sun and dedicated enlightenment wonk, just sent me links to a favorite sun worship website and to a website regarding the work of Nassim Haramein, a physicist from Switzerland. The writing below is by Wayne Purdin.

The word “sol” has many meanings, and they’re all interconnected. It can mean our sun. Add a “u” for “you” and it’s your soul or your inner sol or sun. Add an “o” for “one” and you get solo, which means alone or “all one.” “We are one in the sun” isn’t just a fanciful New-Age expression; it is the key to the New Age. Thru unity all problems are dis-sol-ved creating a sol-ution. In astrophysics, sol means singularity. Nassim Haramein is probably the most brilliant physicist since Einstein. He has found that every living thing from a microbe to a sun has a singularity or black hole that not only takes in light but transmits equal amounts of light to its sphere of influence. One aspect of light is information, so singularities take in and transmit information. Our sun has a singularity in its core. As all singularities are “connected” our Sun receives information from the Central Sun of our galaxy, which the Mayans called “Hunab Ku.” The Hunab Ku recieves its information from the Great Central Sun of the universe. Our sun then transmits this information or wisdom to the solar system. We can absorb this information through our eyes, including the third eye, or pineal/pituitary gland complex, when we sungaze. Sungazing pioneer, Gene Savoy, calls this aspect of sunlight the “information or intelligence factor” or “IF.” He writes in Project X: the Search for the Secrets of Immortality, “This energy [from the sun and beyond] has inherent IF potential. It is cosmic information coming into our mind and consciousness directly from the source – the cosmos where it all began… The first cause in the creation of the world was the ‘word,’ or the logos, which emerged from the mouth of God. The philosophers have always taught that this ‘word’ is the true nutrient of the spiritual part of man.”

Page 2, of Being of the Sun: “Vision Quest”

Art Opening in Silverlake


Last Saturday January 13, artists Hoshi Hana, Andy Robinson and I attended an art opening at a storefront gallery at Sunset Junction in the boho Silverlake district of Los Angeles. The gallery didn’t have a name, but it was next door and connected to a boutique named Pull My Daisy after a poem written in the late 1940s by Allen Ginsberg, Jack Kerouac and Neal Cassady, from which a 1959 film was made. Hoshi Hana took all of these pictures, as my digital camera is on the fritz. Thank you, my dear!


S. Lee Robinson has hung many a show in her 22 year career as a painter, and this retrospective contains one or two paintings from each of her shows.


Meet S. Lee Robinson, as wonderfully warm as she is talented. Hoshi Hana and Andy know her from Gallery at the End of the World, a cooperative gallery of which they are all members.


Hoshi Hana and Andy at the opening.


Me, drinking a Pellegrino and cranberry juice and admiring “Big Boat.”


The DJ played danceable retro music, Bo Diddley, Michael Jackson, the Bee Gees. Only Hoshi Hana and I danced. I’m a baby boomer and can’t help it. Hoshi Hana’s just loose for a Gen X.


A merry throng, admiring the art, nibbling on olives and tomato pesto on baguette slices, sipping wine and soft drinks, laughing and chatting under the icicle lights.


Hoshi Hana’s friend since high school, Sheri Ozeki (in the hat), and a friend of Sheri’s.


The big yellow face got sold in the first hour of the opening! The bull was from an entire show of nothing but bulls, just as the big boat was from a show of all boats.


“Three Kings – Mars,” Andy’s favorite of the paintings in the show.


A drawing titled “Woman.”


The gallery opens into the Pull My Daisy store, offering a tantalizing view of its cloth monster. The shop is famous for its dachshund, Bingo, who cruises Sunset Junction begging for bacon. The photos on the dressing room door are of people in exotic locations around the world wearing Bingo the Dachshund t-shirts.

Alice Coltrane 1937-2007

Alice Coltrane, a jazz performer and composer and wife of the late saxophone legend John Coltrane, has died. She was 69. Coltrane died Friday [January 12 2007] of respiratory failure at West Hills Hospital and Medical Center near Los Angeles, said her sister, Marilyn McLeod.

For nearly 40 years, Coltrane managed the archive and estate of her husband, a pivotal figure in the history of jazz. He died of liver disease in 1967 at age 40.

A pianist and organist, Alice Coltrane was noted for her astral compositions and for bringing the harp onto the jazz bandstand. Born Alice McLeod in Detroit on Aug. 27, 1937, she began learning classical piano at age 7. She studied jazz piano briefly in Paris before moving to New York, where she met her future husband in 1963.

At that time, she was playing with bandleader Terry Gibbs, who has often taken credit for introducing the two. John Coltrane “saw something in her that was beautiful,” Gibbs told the Los Angeles Times.

She left Gibbs’ band to marry Coltrane and began performing with his band in the mid-1960s. “John not only taught me how to explore but to play thoroughly and completely,” Alice Coltrane said in comments published in “The Black Giants.”

Please enjoy this vintage 16 mm film of Alice Coltrane.

Art Queen


On December 30, I had dinner with Shari Elf and Randy Palumbo in Joshua Tree, California, and afterwards visited their newly opened gallery, Art Queen.


Randy and Shari humored my request for a posed photo in one of the two gallery spaces they’ve created, next to one of Shari’s wryly witty folk-art-from-found-objects pieces.


Today they hung a show in one of the two gallery spaces by the late Raymond Thunder Sky.


Here’s the postcard they created to announce the show…


…with a photo of the artist in his clown collar and hard hat on the front.


A closeup of Raymond Thunder Sky’s costumes…


…and a closeup of one of his drawings.


On permanent display, in an old foto-mat building they hauled in from the desert and refurbished, is the Crochet Museum…


…housing Shari’s vast collection of crocheted animals and dolls. She doesn’t crochet herself; she just loves the “grandmother energy” of these creations. She finds them at thrift stores and garage sales, although, once her huge fan base realized she was collecting, crocheted gifts have poured in from everywhere.


Next to the Crochet Museum, an installation of garden sculptures by a desert folk artist who calls himself Moby Dick, who moved away to Phoenix. Shari and Randy had heard that his home was being sold, and they were concerned that the folk art environment Moby had created would get destroyed or thrown out by whoever bought the property, if they didn’t like it, so they went out, bought the whole collection, and set it up at Art Queen.


They’ve also set up a biodiesel filling station in back of the gallery (they both drive bio-diesel powered vehicles), and they have a band called Fairy Elf that performs locally. Here is one of Randy’s art pieces, titled “Condom Blossoms.” Randy owns 3D Laboratory, a construction company in New York City, plus a natural foods restaurant called Dodo Cafe in the South Street Seaport neighborhood of downtown New York City, and his art work has been shown in galleries and exhibitions around the country.


Shari enjoys an enormous following for her work, which she built up originally by selling her pieces at swap meets around Los Angeles, but which continues to grow as an online community forms around her wonderful website. When she posts her finished pieces on her site, there is a rapid scramble among the faithful and all are sold in a matter of hours.

Above is the sign she used at her table at the Santa Monica Airport Swapmeet back in the 1990’s, when she was escaping her former career as a seamstress.


This piece, photographed and printed on a postcard, announced Shari’s gallery show, “95% Trash,” in Kansas City at the Light Box Gallery a few years back.


Here are some of Shari’s pieces hanging in her studio, a separate small building at the Art Queen complex. Randy commented that he’d seen many art studios around New York City, but none as fun as Shari’s.


The All Star Seamstress Dogs (framed in spools of thread) commemorate Shari’s All Star Seamstress Band, in which she sings, plays guitar and omnichord, and is accompanied by percussionists playing sewing machines, scissors and pin boxes. You can hear her amazing songs on her CD (or download) I’m Forcing Goodness Upon You.


Says Shari about her choice of media: “It was, at first, for economy, but mostly because trash is more interesting. Searching for the stuff is like a treasure hunt.”

What Environmental Activists Eat for Lunch


So what do environmental activists eat for lunch, you may be wondering.

Karin (aka Wyldflower Revolution) prefers food that is grown locally (to minimize the amount of fossil fuel and packaging used to bring the food the consumer), produced organically (that is, without pesticides, herbicides, hormones, genetic engineering, radiation, chemical fertilizers, and other substances and processes toxic to human beings, animals, plants and the environment), vegan (because animal products require a much greater use of fuels and land than vegetable ones, and because they are much more likely to contain toxins, due to the industrial farming, industrial pollution of the ocean and waterways, and the way toxins are bio-concentrated as you go up the food chain), and raw (because enzymes and other valuable nutrients are diminished or lost when food is cooked). Her acronym is LOVER: local, organic, vegan, essentially raw.


When I visited Karin, I brought over a bag of vegan groceries, and, after receiving her mild rebuke for all the packaging on my offerings, I watched Karin swiftly combine them into delicious wraps.

She slightly heated (to soften) the organic, sprouted whole wheat tortillas, spread them with organic hummus, piled on a couple of cups of organic mesclun (aka baby lettuces, or cafe salading), tossed on some cubes of ripe avocado and slices of bell peppers from her garden, dressed with a tomato-, tahini- and nutritional-yeast-thickened vinaigrette, rolled them up and called them lunch.

We ate off ceramic plates handmade by a local artist, which sat upon place mats made from recycled rags in the style of rag rugs, using cloth napkins and our fingers. Karin says you have to hold your wrap like Groucho Marx’s cigar, straight out, or the filling will fall out onto your plate (or farther).

Karin's Eco-Rap


Karin Lease (aka wildflower revolution) and her chihuahua friends Coco and Roxanne.

Karin’s been a strong voice for personal responsibility for the environment for a long time. She’s studious about avoiding waste in her life, and not afraid to tell other people they need to do the same. No one wants to be told what to do, but, alas, she’s right. We do all need to stop using disposable things, buying stuff made in sweat shops, using gasoline unnecessarily (and switch to waste veggie oil), and recycle like crazy. I mean, the polar bears are drowning because the Arctic ice is gone.


Karin had a brain aneurysm the same day as the big tsunami in south Asia, on December 26, 2004. Her partner Andy Bunnell organized fundraisers and volunteer round-the-clock care for her. Dozens of people participated to help; Karin was completely amazed at the love demonstrated by her community in her time of need. She emerged having learned the power of community, and now also focuses some of her time as an activist in this realm.

You can order a copy of her environmental manifesto, “Wildflower’s Beautiful World,” by emailing her at wyldflowr@comcast.net.  It’s got instructions, resource lists, relevant quotes, and even a set of rap lyrics by Ms. revolution herself. 

A Walk at Wheeler’s Ranch


I hadn’t seen Karin Lease in a couple of years, but I love to visit her. She was my dear friend when we lived at Wheeler’s Ranch commune in the late 1960’s and early 1970’s. She’s really something. As Anitash Designs, she makes fabulous costume jewelry and clothing. As Wyldflower Revolution, she’s renowned as an environmental activist.


The first morning I awoke at her house near Sebastopol, California, dawned bright and balmy, and I had no trouble convincing Karin to come with me to Wheeler’s Ranch for a walk in the forest. Once the only commune in the area, Wheeler’s Ranch is bordered on two sides by large communes, Oceansong and Star Mountain, and a third large communal land, Bodega Pastures, lies a few miles away to the south. This view is from the top of the land at Oceansong, looking south. Mount Tamalpais in Marin County is on the horizon.


We walked along the familiar forest road through Wheeler’s Ranch. Today the commune consists of a dozen households that pay rent to Bill Wheeler, who lives on the land and enjoys a considerable reputation in the San Francisco Bay Area as a plein air painter.


We stopped at Bill’s wonderful homebuilt cottage, built of his own hand-milled timber, and complete with stone fireplace and antiques from his Connecticut ancestors.


Bill Wheeler was surprised and happy to see us again. He said that a film crew was due any minute to interview him for a documentary, and that, no doubt, they would want to interview me as well.


Karl Ferris and his wife Melanie have a grant from the Canadian Film Board to make a documentary on bohemian life, and, yes, they knew about my book and were delighted to interview me. Happily, I had some of my books and CDs in my car, so that they would be able to use images from Living on the Earth and songs from Music From Living on the Earth in the film.


Karl took this famous photograph of The Jimi Hendrix Experience, and it’s on the business card he gave me.


Birgitta Bjerke, an Swedish fiber artist who lived at Wheeler Ranch a few years after I did, knows Karl and Melanie from their hippie days on Ibiza in the 1970’s. She introduced them to Bill Wheeler, and is accompanying the film crew making connections for other interviews as well. She remembered the scene in Ibiza. “It was all about the clothes. We didn’t know anything, but we were gorgeous.”


Birgitta gave me this photo of one of her amazing crocheted wall hangings, bought my book and CD, and regaled me with wonderful stories. I’m invited to visit her in Santa Fe, New Mexico. Below, she dances in one of her crocheted costumes in front of another crocheted wall hanging.  Her work makes me think of the mosaic art of Simon Rodia and of Antoni Gaudi.

I had fun doing the interview, and I’m told the film will be released next summer. Karin and I walked back up to my car at Oceansong in the waning light, happily illuminated by a fat full moon over the forest.

Queen of the Punks

Alicia onstage in Tamagusuku, Okinawa, October 31, 2010

Dear girlgroup,

In thinking about my year-end list, it occurred to me that there’s something on it that you folks may not have heard but would be quite interested in. And in hopes of getting it onto more year-end lists than just mine…

Alicia Bay Laurel is best known for her 1971 handwritten and drawn commune guide “Living on the Earth” (later picked up by Random House, and an international bestseller). Alicia became a friend and mentor when I was 15, and I’ve returned the favor by helping to build her website, http://www.aliciabaylaurel.com, and teaching her how to blog.

Her new album, What Living’s All About (available from her online store) includes an astonishingly powerful protest tune, “America The Blues,” featuring wild guitar work by Nels Cline and Alicia sounding more like the Queen of the Punks than the Queen of the Hippies. I made her promise to make it available for free, because this song needs to be heard. Please give it a spin if you’re inclined, and think of it when listing your singles for your year end list.

Alicia says: “This is a song about speaking truth to power—not only to despots, but to our own collective power. The operative lyric here is VOTE. If everyone who could vote actually did vote, we could elect representatives who would work with us to reverse the vast environmental, public health, diplomatic, and human rights problems we earth-dwellers face, and make this a sustainable, joyful world for all who live in it, now and in the future.”

More about the song and mp3 link:
https://archive.org/details/AliciaBayLaurelAmericatheBlues

best regards,
Kim Cooper
Editrix
Scram Magazine
http://www.scrammagazine.com