This is the World I Want to Live In

Wandering Around an Albuquerque Airport Terminal
by Naomi Shihab Nye

After learning my flight was detained 4 hours,
I heard the announcement:
If anyone in the vicinity of gate 4-A understands any Arabic,
Please come to the gate immediately.

Well—one pauses these days. Gate 4-A was my own gate. I went there.
An older woman in full traditional Palestinian dress,
Just like my grandma wore, was crumpled to the floor, wailing loudly.
Help, said the flight service person. Talk to her. What is her
Problem? we told her the flight was going to be four hours late and she
Did this.

I put my arm around her and spoke to her haltingly.
Shu dow-a, shu- biduck habibti, stani stani schway, min fadlick,
Sho bit se-wee?

The minute she heard any words she knew—however poorly used – She stopped crying.

She thought our flight had been cancelled entirely.
She needed to be in El Paso for some major medical treatment the
Following day. I said no, no, we’re fine, you’ll get there, just late,

Who is picking you up? Let’s call him and tell him.
We called her son and I spoke with him in English.
I told him I would stay with his mother till we got on the plane and
Would ride next to her—southwest.

She talked to him. Then we called her other sons just for the fun of it.

Then we called my dad and he and she spoke for a while in Arabic and
Found out of course they had ten shared friends.

Then I thought just for the heck of it why not call some Palestinian
Poets I know and let them chat with her. This all took up about 2 hours.

She was laughing a lot by then. Telling about her life. Answering
Questions.

She had pulled a sack of homemade mamool cookies—little powdered
Sugar crumbly mounds stuffed with dates and nuts—out of her bag—And was offering them to all the women at the gate.

To my amazement, not a single woman declined one. It was like a
Sacrament. The traveler from Argentina, the traveler from California,
The lovely woman from Laredo—we were all covered with the same
Powdered sugar. And smiling. There is no better cookies.

And then the airline broke out the free beverages from huge coolers—Non-alcoholic—and the two little girls for our flight, one African
American, one Mexican American—ran around serving us all apple juice
And lemonade and they were covered with powdered sugar too.

And I noticed my new best friend—by now we were holding hands—Had a potted plant poking out of her bag, some medicinal thing,

With green furry leaves. Such an old country traveling tradition. Always
Carry a plant. Always stay rooted to somewhere.

And I looked around that gate of late and weary ones and thought,
This is the world I want to live in. The shared world.

Not a single person in this gate – once the crying of confusion stopped – has seemed apprehensive about any other person.

They took the cookies. I wanted to hug all those other women too.
This can still happen anywhere.

Not everything is lost.

Naomi Shihab Nye


Addendum:

“For all those of us born Jewish into a post-Holocaust world, the issue of Israel and Palestine is a deeply painful one…. Palestinian nonviolence is, perhaps, more deeply threatening than suicide bombers, for it challenges our myths and our picture of ourselves as the always innocent victims, righteous and good, justified in anything we do as long as we call it ‘self-defense’. To give up that myth and face the ugly reality of injustice, to admit that we who were so oppressed can become oppressors, is excruciating.”  Starhawk

 

Eco-World Laguna Beach


Dr. Bill Roley founder/director of the Permaculture Institute of Southern California and professor of environmental design at University of California at Irvine, welcomed Albert Bates, David Cann and me to his permaculture garden and environmentally designed homebuilt house on a hill above Laguna Beach.


The amaranth, carrots, onions, kale, swiss chard and other lucky denizens of Bill Roley’s sheet-mulched garden terraces on a hillside overlooking the ocean bear abundantly.


On the steep incline across the road from his home, Bill built up terraces of compost that are steadied by the roots of the many fruit trees he planted in them. Here Albert Bates inspects the terraces.


Bill’s garden is a place for poetry, music and art as well as for thriving plants that feed people, mineralize and fertilize the soil, feed insects and birds, and provide beauty and shade.


Three robust, chemical-free carrots and a leek on a bamboo cutting board, freshly washed in Bill’s kitchen after being harvested from his garden.


Bill Roley took us for a walk on the summit of the hill onwhich he lives, where we saw a distant squall in the Laguna Hills – unusual weather in those parts.


He also took us sightseeing around Laguna Beach, which deservedly refers to itself as the southern California Riviera. The landscape, weather, and artist milieu certainly resonate with the Mediterranean coast. Here we look south upon Crescent Beach, one of many white sand beach coves, and the hills beyond.


That evening we attended a gathering organized by Bill so his community could hear Albert speak, at the charming, environmentally designed home and garden of green builder/designer Christopher Prelitz and his artist wife Becky.


Rave reviews of the house appeared in Riviera Magazine in December 2006 and Natural Home Magazine in July 2005. It was easy to see why while touring the house with Chris. Elegant natural details, like the nautilus shell at the turn in the staircase abound, yet the house is gorgeously uncluttered. Chris says he built his palace on a shoestring, using many recycled materials, and spending lavishly “only on windows and doors.”


The terraced permaculture garden uses the oddly shaped lot to advantage.


Before the Prelitz’s magical fireplace, mosaic’d with abalone shells reflecting the light of votive candles, I sang an environmental jeremiad as an opening to Albert Bate’s talk on peak oil and global warming. Above the fireplace: one of Becky’s encaustic paintings.


After the talk, Albert answered questions, seriously considering the concerns of his audience.

Los Angeles Ecovillage


As promised, I returned to Los Angeles Eco-Village by daylight, but much sooner than I had imagined. The day after his talk there, Albert Bates invited me to accompany him and David Cann, a local community eco-organizer, to visit Dr. Bill Roley, founder/director of the Permaculture Institute of Southern California and professor of environmental science at UC Irvine, at his home and permaculture garden in Laguna Beach. So, we met at the LA Ecovillage before taking off on our journey.


So, here’s how the entrance looks by daylight.


Lois Arkin, co-founder of the LA Eco-Village and a stalwart of the ecovillage movement for decades, welcomed me and David while watering the front garden (fruit trees, herbs and a blossoming cymbidium orchid) and sprucing up the front porch with a handmade broom.


Playful community art adorns the exterior of the building. A mosaic bicycle and wheelchair ramp signed by a local middle school leads from the street to the front walk.


Windchimes, banners, and whirligigs dispell any notion of staidness here.


A cob (mud clay) bench in the shape of a dragon on the street in front. Many intentional communities create public sculpture in this medium.


Drawn in chalk the street in front, a wheel of fortune…


…and an angel. Those, and the dragon, Smaug, sum up the enigma of Los Angeles…


…where a telephone pole is a kind of totem.


The living room/lobby of the ecovillage dormitory, furnished with recycled furniture in the era of the building, serves as a comfortable meeting room.


The very busy bulletin board and flyer table in the living room/lobby.


Bicycle parking in the inner courtyard. Community members proudly disdain automobile ownership, and make use of the city buslines that pass near their home. One member works at a cooperative not-for-profit, the Bicycle Kitchen, which helps people build their own bikes from recycled parts and repair their bikes themselves.


The community garden thrives in a miniature climate created by the buildings on all sides.

Albert Bates Speaks at Los Angeles Ecovillage

March 25, 2007. Albert Bates, ecovillage educator, author, inventor, and environmental savant extraordinaire, presented the case for pausing to breathe and seriously consider the situation rising inexorably before us. Do we go on with business as usual? Do we look for technologies that will solve the disasters inherant in the decline of petroleum production and the rise of global temperatures? Do we scale down our consumption of fossil fuels, meat, trees and nuclear materials, and start planting trees, bamboo, roof gardens, artificial wetlands, and community agriculture projects? Or do we just cower before the oncoming catastrophes and weep?

Albert illustrated his point with a bottle allegory. Suppose if you put two bacteria in a bottle and they double every minute, and the bottle would be full in 24 hours.  When would the bottle be half full? At 23 hours and 59 minutes.  When would it be one quarter full? One minute earlier. When would it be one eighth full? Three minutes to doomsday.  If the bacteria were smarter than humans, would they stop doubling at the point that the bottle is still seven eighths empty? If they could get another bottle when the first one was full, how much longer would they have to live before they began dying off from lack of space?  One minute.

I had never been to the Los Angeles Ecovillage, a group living situation focussed on minimizing its eco footprint and inspiring others to do likewise, located in a densely settled urban area just west of downtown Los Angeles. The folks are very friendly, and I intend to come back and take a tour. I promise I’ll bring my camera and post here! With fifty earnest and educated people gathered in the village living room(some of them ecovillage residents and some students from the recent urban permaculture course), Albert faced a rapt audience. Do we understand how little time we have to DO SOMETHING about this?


The charming old building where the ecovillagers now live once housed the workers who served at the Bimini Hot Springs Resort that existed in the 1920’s on the street of the same name. Somewhere, under this neighborhood, hot springs still bubble!


Albert Bates and I met online some years ago as board members of the online Hippie Museum. I wrote a review of his book The Post Petroleum Survival Guide and Cookbook for this weblog, and I recently sent his book to my publisher in Japan, Soshisha, Ltd., hoping that they will be as dazzled by it as I am. The book is a necessity for everyone, besides being a fun read, and that’s saying something.

He told us, “The reason I’m not home at the Farm is that I am being Paul Revere.”

The Keiskamma Altarpiece


Yesterday I viewed an inspiring example of community-produced art from Africa, currently on tour in the USA, the Keiskamma Altarpiece. Sewn and beaded by more than one hundred thirty women and several men in the tiny South African seaside village of Hamburg, it commemorates the AIDS epidemic that almost destroyed the village and the brave ones who took upon themselves to do something about it. The creation of this work, with its intense community organizing, inspired everyone in Hamburg who had previously avoided HIV tests to get them and get treatment if needed. This detail, from the left half of the base of the piece, shows the suffering, death and funeral of an AIDS patient, Dumile Paliso, whose mother, Susan, is depicted on a panel below.


Inspired by the Isenheim Altarpiece, created by Matthias Grunewald during the early 1500’s to celebrate the deliverance of the Alsace Lorraine region from the ergot fungus plague known then as St. Anthony’s fire, the Keiskamma Altarpiece was born from an idea by Dr. Carol Hofmeyr, who, with her physician husband, founded and ran Hamburg’s first and only AIDS hospice and treatment center. Carol Hofmeyr also holds a degree in fine arts, and this was her way of combining her areas of expertise to serve the community. Her husband built the enormous frame that holds the three layer fiber artwork. This detail, the right half of the base, shows the burial of the dead.


Here is the whole base as one piece.


Like the Isenheim Altarpiece, the Keiskamma (named after the river that flows through Hamburg) when it is closed shows a cross at the center, but instead of Christ, there stands a Xhosa woman dressed in mourning for her husband, and instead of Mary Magdalene and St. John, she is surrounded by the many orphaned children of AIDS victims and the grandparents and other older members of the community who are called upon to look after them.


On either side of the central cross, instead of saints, local women who have lent their support to the surviving family members are depicted. Above, Susan Paliso, dressed in the formal style of Methodist church-going women in Hamburg…


…and on the other side, Leginah Mapuma, dressed in the formal dress of Anglican church members.


Inside the first set of doors of the altar, the dancing prophet Gaba seeks inspiration from God upon the sand dunes.


On the door to the right of Gaba is the wild fig tree, shelter and food to the people of Hamburg village.


On the door to the left of Gaba is the great spiral of life, on land and on sea.


A detail of the fish in the panel above, showing the beadwork.


On the innermost panels, the Keiskamma river flows beside the land outside of Hamburg where the dead are buried. The trees are translucent, like ghosts, suggesting that entire family trees have disappeared.


And yet, at the same time, the river and trees suggest survival of adversity, and the continuity of life into eternity.

Alicia Bay Laurel’s Japan Tour Schedule for 2007

ABL onstage at Rainbow Fest.jpg

Onstage May 4, 2007, singing for a thousand people at the Rainbow Festival at Aso Mountain, Kyushu, Japan.  Photo by Tatsuya Nema. It’s a rainy night, and I’m wearing Japanese rice planting rubber boots under the patchwork dress made for me in 1971 by Charlotte Lyons, an artist friend who lived at Wheeler Ranch during the time I created Living on the Earth.

April 30 “Living on the Earth Festival” at the Loveland shop and spiritual center in Kumamoto town on the island of Kyushu, with Sachiho Kojima.

May 4 at the “Rainbow Festival” at Aso Mountain on the island of Kyushu. I’ll be performing a 45-minute set of my songs with a band. The festival is using the Living on the Earth cover goddess as the poster graphic.

May 6 through 10th: Three shows on the island of Kyushu with Sachiho Kojima’s all woman trance trio, Amana, and then two with Sachiho only. On May 6th at the Tomigawa River Festival in the Issahaya district of Nagasaki. On May 7th at the art studio of world reknown granite sculptor Hiroto Sakamoto in the Sazachou district of Nagasaki. On May 8th in the Yobiko area of Saga City. On May 9th at Organ’s Melody night club in Yamaguchi.  On May 10 at Chakra store and tea house in Osaka.

May 19 and 20 “Natural High” Festival at Doshi on Honshu island (about two hours from Tokyo). 45 minute set of my songs (as above) but with a different band! Plus I lead a redux of the decoupage visualization shrine-building from recycled objects workshop I did at the same location last October for Artist Power Bank. And it all gets filmed for the Eco-Words television show, which airs nightly on BS Asahi TV, a station watched by half of the households in Japan.

May 29 and 30, workshop and concert on the island of Oshima, organized by my friend Mana.

June 3, 6 to 8 PM, at Hobbit Theatre, Tokyo, Concert.  Two sets of me and the legendary punk/ska/indie rock singer Yoko Utsumi in a musical dialogue.

June 9 workshop and concert with Sachiho Kojima of Amana in Toyko sponsored by Anima.

June 11 and 12, two workshops and concerts with Sachiho Kojima in Tohoku, which is the moutainous and forested northern-most province of Honshu island, one in the town of Sendai and one in the town of Morioka.

June 17 and 15 “Living on the Earth Festival” at Yukotopia Deadheadsland Nightclub in North Tokyo. This time, TWO 45 minute sets (9 to 11 PM), with Jun and Ken, an excellent bass player and lead guitarist I met last October when I played there last.

Yukotopia poster2.jpg

Feeling Good Cards – and Hawaiian Klezmer


Yippee, the new edition of the Feeling Good Cards is out, with my illustration on the back of the cards and my graphic design on the box.  Here’s the webpage: http://www.feelinggoodcards.com/home.html


Gloria Blum first created the cards back in the 1970’s while working with developmentally disabled teenagers. She found that they opened up to her if she asked them questions they enjoyed answering. She collected the questions and had them printed up as a set of flash cards, and soon had created a cottage industry, first within her own profession, and soon to other related counseling and helping professions. She then discovered that the questions make a fun party game for people of all ages, and determined to sell the cards to the general public.


When she ran low on her original printing, she asked me to re-design the box and make an illustration for the backs of the cards, drawing in a cartoon style a wide variety of people, all having a good time. In the drawing, I included her and her collaborator and husband, Dr. Barry Blum MD. He’s the one playing a bass balalaika and she’s singing with her arms upraised, as they often do in their Hawaiian klezmer band, Kona’s Traveling Jewish Wedding, which released a bewitching CD album a few years ago called Shaloha Oy (the title track being a minor-key up-tempo version of Queen Liliou’okalani’s famous Aloha ‘Oe).


Here’s a sample question card! I’d love to answer that one.


Here’s Gloria singing with the klezmer band. With her divinely passionate Yiddish spirit, she’s the Janis Joplin of klezmer.


Here’s the whole band, at a performance a few years ago. Gloria is singing a duet with Ros Cohen.

Peace Demonstration in Hollywood 2007


March 17, 2007. I join about ten thousand people at Hollywood Boulevard and Vine Street in Los Angeles to rally and march for peace. Foremost in our intentions is to stop funding the Iraq War and bring home the troops, but, clearly, most of us demonstrators see this war as only part of a larger war of the military-industrial complex and the super-rich upon the poor and middleclass of all nations, and upon the environment. We march for social justice and sustainability all over the planet.


Dr. William Hooks, M.D., a radiologist from Rancho Cucamonga, was working for the day as a documentary photojournalist for ANSWER Coalition, the organizers of the march. He is talking with an indigenous Bolivian woman, who is leafletting to gather support for President Evo Morales and the Bolivian solidarity movement.

Eric Howard, who I met at Kim Cooper and Richard Schave’s wedding last June, showed up on his bike.

peacedemo 07-peacewheel.jpg
Stephen Frank Gary welded and painted this beautiful, large peace symbol, titled  Dreamcatcher Peacewheel.


One very small counter-protest of Christian Fundamentalists appeared at the opening rally, but, otherwise, the world smiled upon our march.


A group of young men sang and played “Give Peace a Chance,” and a group of young women began dancing in the street.


This, in turn, got the women marching with Code Pink to sing and drum “Give Peace a Chance,” and a woman from KPFK walked beside them, recording them for a program.


I carried my usual handmade sign with its positive message, and some of artist Stephanie Farago’s famous bumperstickers “My God Loves Your God,” which I bestowed upon anyone who spoke to me admiringly of them.


We walked to Hollywood Boulevard and Highland Avenue, where we attended a rally at an outdoor stage in front of the famous Grauman’s Chinese Theatre. US Congressional Representative Maxine Waters, founder of the Out of Iraq Caucus, exhorted us to call, email and fax our congressional representatives and tell them not to approve the Pelosi/Murtha plan with its huge supplemental budget for the war. We roared our approval and support. After Rep. Waters, actor Martin Sheen spoke, thundering like God Himself, and after him, actresses Mimi Kennedy (representing Progressive Democrats of America) and Laura Dern.



Next, the legendary singer/songwriter Jackson Browne, a mainstay at events of this sort, performed two of his protest songs, the second one with two singers who also performed later with the band Ozomatli.


Singer/songwriter Ben Harper, eerily recalling a young Richie Havens singing at peace marches during the Vietnam War, who also performed his own protest songs.


Ozomatli, a Grammy Award winning band from Los Angeles, played an entire set. It seems as if all of the band members play more than one instrument, sing, and even dance a bit, and they change roles to perform in a variety of ethnic styles, sometimes within one song: salsa, rap, Arabic, hiphop, and mariachi.


Jackson Browne joined them on the last song of their set.


The demonstrators signalled their solidarity.


Next, Iraq Veterans Against the War spoke.


The Gabriela Network, a feminist group based in the Philipines, protests in particular the effect of war on women and girls, in the form of abductions and rapes, and prostitution surrounding army bases in third world countries.


Jerry Rubin, not the Yippie political activist (who died in 1994), sells political bumper stickers most weekends near the Santa Monica Promenade, and he was on Hollywood Boulevard for the peace march.


Pacifica Radio station KPFK, the voice of the left in LA for nearly five decades, had a canvas available for painting at the their booth, to advertise a day of boycotting gasoline on May 1.

Here’s a slide show of all 51 of my photos from the demonstration!

Kraig Grady and Cory Beers at the Red Dragon


On March 8, I set out to hear Kraig Grady and Cory Beers perform (on hammered dulcimer and tabla, respectively) at Red Dragon Studios, a combination recording studio and small night club in Hollywood, near the corner of Sunset Boulevard and Highland Avenue.


The Dragon caters to a youngish, darkly boho sort of crowd, epitomized by the friendly, informal and punked-out ticket seller.


I felt at home; I grew up in this neighborhood, and, when I was in high school, I would go out to clubs in Hollywood that allowed teens, like the Garret and the Blue Grotto, places where we kids could chill out, listen to music, and talk with people older than we were who weren’t trying to tell us what to do. The Dragon has a bar, so no teens, but the twenty-somethings talked with me happily.


There actually IS a red dragon in the Red Dragon, the sort that performs the Lion Dance and eats money at Chinese New Years events. It didn’t look red in the gloom of the ceiling where it hung, but when I aimed a flash at it, I discovered it really is quite garishly red. It presides over a gaggle of red Chinese paper lanterns, fans and umbrellas in a black painted room.


While Kraig and Cory set up, a DJ blared and a series of Powerpoint projections of LA people and scenes in slide show rotation illuminated the stage.


By comparison, Kraig and Cory’s music was an oasis for the mind, heart, spirit and soul. Kraig’s hammered dulcimer had magnificent overtones that sometimes sounded to me like a Muslim call to prayer. Cory brought four dayan (the higher drums of the tabla set) and tuned each one to a different note in the scale in which Kraig’s instrument was tuned, so that the drum functioned more like a bass melodic instrument.


Many of the young club crowd stood motionless and listened, enchanted by the cascade of sounds.


Kraig and Cory played without haste and without pause for about 45 minutes.


After Kraig and Cory packed up, the band Kaora took the stage, five young men in black with a purposeful rock demean. Their fans were pleased to see them. I’d already had enough high volume electronics for one night from the DJ, so I thanked Kraig and Cory, and headed home, very happy.

Doctor Stella Resnick’s Secret of Happiness


I had dinner the other night with Dr. Stella Resnick, a friend for over thirty years now, and a famous psychotherapist specializing in sexuality and pleasure. She had just moved her practice into a beautiful new office in the Flynt Building at the corner of Wilshire Boulevard and La Cienega just south of West Hollywood, and her book The Pleasure Zone: Why We Resist Good Feelings & How To Let Go and Be Happy beamed from her bookshelves in half a dozen languages (I think she told me it’s in print in nine languages right now). I had to have one, and, happily, she wanted a copy of my CD What Living’s All About, so we traded inscribed copies.


Stella’s book to me is a philosophy of life. It’s about living in the moment and appreciating it to its fullest. It’s about breathing to relaxation. It’s about bonding, love, and nurturing, as well as being truly present to receive these gifts. Certainly, with Stella’s expertise, she has plenty of wise words about the sexual experience, and also about spirituality, pain relief, laughter, play, movement, and emotional communication. I am greatly enjoying this read and recommend it heartily!